As Boston continues to ponder its Brutalist city hall, professor suggests covering the behemoth with a glass veil
Like so many Brutalist buildings around the word, Boston’s iconic City Hall has not necessarily endeared itself to the public. Since it opened in the 1960s, there have been calls to update the building, completely overhaul it, and to demolish it outright and start over. There have, of course, also been calls to preserve it.
Photographer Wayne Thom captured Late Modernism like no one else, and now his archive is looking for a home
As 1970s and 1980s architecture returns to vogue, a new recognition of those associated with its making and documentation also arises. So it is with Wayne Thom, long the preeminent architectural photographer of the large, Late Modern building by the large firm.
As Westweek wraps up in West Hollywood’s Pacific Design Center, developer floats an unlikely expansion scheme
Everything Loose Will Land
4 West Burton Place, Chicago
Through July 26
Everything Loose Will Land explores the intersection of art and architecture in Los Angeles during the 1970s. The show’s title refers to a Frank Lloyd Wright quote that if you “tip the world over on its side and everything loose will land in Los Angeles.” This freeness alludes to the fact that this dislodging did not lead to chaos but rather a multidisciplinary artistic community that redefined LA.
Crescent Real Estate Group is making a play to bring high-end business tenants to Uptown Dallas—an area better known for twenty somethings living above their means than big-name office tenants. In order to attract this kind of clientele, the developer has hired architect Cesar Pelli to design a dramatic new building that is promising to change the face of the neighborhood.
The Pacific Design Center’s Red Building, the final piece of a three-structure complex, is nearing completion. Designed by Cesar Pelli, the building’s jutting red glass facade is in now in place, and the project should be complete by this fall. Photographer Kenneth Johansson has been documenting its construction for the last two years. His pictures don’t just reveal the developing bones of the building, they showcase the often-overlooked construction workers who make projects like this happen. “I have all the respect in the world for these guys,” said Johansson, of the builders, who he calls “heroic” (you can see why). He plans to release a book on the project next year. Enjoy this slideshow of the construction from start to the present. (Click on an image below to start)
Witold Rybczynski, smart writer, stupid article.
Last Thursday, Slate‘s respected architecture critic weighed in with the dubious notion that the shorter in height, the greater the architect. This silly notion has gone viral on the web, and we felt it was our job to rebut it with some tall figures. Here they are.
Last night, I was lucky enough to enjoy assorted swells (but not very many architects) at the Hearst building for a screening of the enigmatic “How Much Does Your Building Weigh, Mr. Foster?”, a film devoted to his lordship’s extravagantly photogenic architecture and life of work. Or so it looks in this approximately 90 minute film which sweeps us from the Engadin Alps where Foster annually plows through a 26-mile mile cross-country ski marathon in tight black lycra with some 14,000 others to his redbrick childhood home quite literally on the wrong side of the tracks in Manchester to his current home in a Swiss villa, spectacularly void of human touches, to his 1,000-plus strong office in London to the early Sainsbury Centre; the Swiss Re gherkin; the British Museum Great Court; the Berlin Reichstag, etc, etc, and of course, the
Hong Kong Beijing Airport that is the largest building on earth as narrator Deyan Sudjic intones mellifluously. (The trailor below provides but a morsel of this delight.) Read More