In New York City, buildings account for almost 80 percent of greenhouse gas emissions and 95 percent of electricity use. It was these facts like these that prompted the Center for Architecture to further investigate the urban energy crisis and display the findings–and potential solutions–in an exhibit entitled Buildings=Energy.
The exhibit, which opens on the evening of October 1st, explores how important choices made by designers, planners, architects, and building occupants can positively affect energy consumption in our cities. One such example featured in the exhibition is a model building designed by the firm Perkins+Will, whose proposal demonstrates the significance of site planning, materials, programs and their affects on energy costs. For instance, as firm principal Anthony Fieldman explains, tilting the exterior glass by only 10 degrees towards the street prevents a substantial amount of solar heat gains, saving the building on cooling costs throughout the summer months.
With all the NYU real estate hubbub going on around LaGuardia Place in Greenwich Village, it’s refreshing to hear of a quiet transaction between two locals. This week, the AIANY signed the lease for 532 LaGuardia, an empty retail space owned by local lumber magnate Guy Apicella just one door south of the AIANY’s current home, the Center for Architecture at 536 LaGuardia.
Glimpses of New York and Amsterdam in 2040 at the Center for Architecture (through September 10) is a clarion call for designers to redefine sustainability in architecture. Though it didn’t start with this intention, the visions of 10 young architecture firms imagining future landscapes of New York and Amsterdam raise questions about what changes are imminent for urban development and what part architects can play. The projects suggest both practical and fantastical interventions to improve the prospect of urban growth in the face of ecological, geographic, and demographic shifts.
PACKING UP CAMP
Now that Donald Fisher’s CAMP project in San Francisco is officially dead, talk is swirling about where the Gap founder’s art collection will go. The whispers have focused on one obvious suspect: SFMOMA, which has already begun planning a 100,000-square-foot expansion that could get even bigger. One rumor has it that the museum is talking to the city about acquiring an adjoining fire station and building a new one elsewhere in return, in order to offer the Fishers their own digs. SFMOMA director Neal Benezra coyly parried questions with the comment: “We welcome the opportunity to partner with the Fishers to find a home for their collection as part of an expanded SFMOMA campus.” Read More