Tonight> New Practices New York winner, form-ula, presents “Dormant Arousal”

Architecture, Awards, East
Wednesday, November 12, 2014
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Form-ula. (Courtesy Barkow Photo via AIA NY)

Form-ula. (Courtesy Barkow Photo via AIA NY)

Tonight, at the Hafele Showroom in Manhattan, you can see the architecture and design firm, form-ula—one of the winning teams from this year’s New Practices New York—present its work titled “Dormant Arousal.” New Practices is a biennial competition that was created in 2006 by the AIA New York Chapter to recognize innovative architects and designers throughout the city.

Continue reading after the jump.

Tuesday> AIANY presents Art & Architecture in the Public Realm

Architecture, East
Saturday, November 1, 2014
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Situ Studio's Heartwalk installation in Times Square. (Courtesy Situ Studio)

Situ Studio’s Heartwalk installation in Times Square. (Courtesy Situ Studio)

The fields of urban planning and interiors rarely interface with each other except by chance or coincidence. But the AIA New York Interiors and Urban Planning committees are co-sponsoring Art and Architecture in the Public Realm, a discussion next Tuesday, November 4 that will take on the zone between interior and exterior public space.

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Center for Architecture to kick off Archtober with New Practices New York

Architecture, Awards, East
Wednesday, September 24, 2014
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New Practices New York. (Courtesy Center for Architecture)

New Practices New York. (Courtesy Center for Architecture)

The Center for Architecture is kicking off Archtober with an exhibition from New Practices New York. The biennial New Practices competition was started in 2006  as a way to “recognize and promote new and innovative architecture and design firms.”

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Jan Gehl Calls On Cities to Design For People, Not For Cars

East, Review, Transportation, Urbanism
Friday, February 7, 2014
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Jan Gehl. (Courtesy Center for Architecture)

Jan Gehl. (Courtesy Center for Architecture)

The Oculus book talk on the new book, How to Study Public Life, at the Center for Architecture with Jan Gehl and his co-author Birgitte Svarre was like seeing the documentary The Human Scale come to life—only with a sense of humor.

Gehl’s urban theories have gained a lot of traction, not least in New York City. Jeanette Sadik-Khan went to Gehl’s native Copenhagen two weeks into her job as commissioner of NYC’s Department of Transportation (along with fellow commissioner of City Planning, Amanda Burden) and experienced the city’s pedestrian-over-cars public plazas, rode bicycles on protected bike lanes, and absorbed the lessons of the city that is repeatedly named the most livable in the world.

Continue reading after the jump.

Q+A> Daniel Libeskind on Cosentino’s Dekton, Architecture, and Music

East, Features, Newsletter, Product
Friday, October 18, 2013
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Left: Daniel Libeskind (Ilan Besor); Right: Off the Wall (courtesy Cosentino)

Left: Daniel Libeskind (Ilan Besor); Right: Off the Wall (courtesy Cosentino)

At Cosentino’s launch of Dekton, AN had an opportunity to sit down with Daniel Libeskind. The world-renowned architect designed an outdoor sculpture, Off the Wall, made from the new material that weathers like stone but has manufactured advantages of specialized color, texture, and form, thanks to Cosentino’s particle sintering technology (PST) that simulates metamorphic rock formation at a highly accelerated rate. It originally debuted this spring at Salone del Mobile in Milan.

AN: You studied music in Israel. Do you find any of your classical music training to inform your design and architecture work?
Daniel Libeskind: Totally. Even though I was a virtuoso performer I continue to use that sense of my relationship to music very deeply in my work. Architecture and music are closely related in many ways. They’re both very precise: In music, even a vibration cannot be off by a single half note. And it’s the same with architecture; the geometry, the spatial character of a building must be accurate.

Continue reading after the jump.

Blurred Lines: SOFTlab and Cosentino

Fabrikator
Friday, October 11, 2013
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Brought to you with support from:
Fabrikator
SOFTlab's ATRIUn model is on view through the month of October, as part of an ongoing exhibition featuring designs with Dekton. (Creative Whirlwind)

SOFTlab’s ATRIUn model is on view through the month of October, as part of an ongoing exhibition featuring designs with Dekton. (Creative Whirlwind)

A new exhibition helps a New York-based firm explore indoor and outdoor applications of a new building material.

Cosentino is celebrating Architecture Month with Surface Innovation, a multi-media exhibition at the Center for Architecture in New York that presents innovative applications of its new Dekton material. A combination of raw, inorganic materials found in glass, porcelain, and natural quartz, the new indoor/outdoor surfacing material is made with particle sintering technology (PST) that recreates the natural process of stone formation. The company invited six local architecture firms to design unique projects featuring the material, including SOFTlab, a design/build firm known for its mix of research, craft, and technology in large-scale installations and building projects.

For SOFTlab, working with a product that could be used for both interiors and exterior applications was an opportunity to reconcile the growing inverse relationship between the skin and volume of large buildings. “We came up with the idea of building something a little more dense than a single story or residentially scaled building, where Dekton may be used,” said Michael Svivos, founder and director of SOFTlab. “We went to a larger scale building, that blurs the inside and outside.” Read More

New York City Rep Velázquez Announces Bill to Improve & Protect Waterfront

City Terrain, East
Thursday, August 1, 2013
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View of East River. (Nicole Anderson/AN)

View of East River. (Nicole Anderson/AN)

Taking the podium at Pier 6 in Brooklyn Bridge Park, New York City Representative Nydia M. Velázquez introduced new legislation, called the “Waterfront of Tomorrow Act,” to protect and fortify New York City’s 538-miles of coastline. The bill would instruct the Army Corps of Engineers to come up with an in-depth plan to stimulate economic growth and job creation, update the ports, and implement flood protection measures. Sandwiched between Red Hook Container Terminal and One Brooklyn Bridge Park, a large residential development, the pier was an appropriate place for the Congresswoman to announce legislation that addresses the city’s needs to bolster its shipping industry while also taking steps to mitigate flooding and ensure the resiliency and sustainability of its residential neighborhoods, parkland, and businesses.

Continue reading after the jump.

On View> “Colombia: Transformed / Architecture = Politics” at the Center for Architecture

East
Monday, July 29, 2013
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Sports Complex for the 2010 South American Games, Plan:b arquitectos + Giancarlo Mazzanti. (Sergio Gomez)

Sports Complex for the 2010 South American Games, Plan:b arquitectos + Giancarlo Mazzanti. (Sergio Gomez)

Colombia: Transformed/Architecture=Politics
Center for Architecture
536 Laguardia Place
New York, NY
Through October 26

Colombia: Transformed/Architecture=Politics, on view at the Center for Architecture through October 26, examines 11 recently built, socially-mindful developments designed by six leaders in contemporary Colombian architecture: Daniel Bonilla and Giancarlo Mazzanti from Bogotá, and Felipe Mesa, Juan Manuel Pelaez, Felipe Uribe and Orlando Garcia from Medellín. The projects in the show embody the change occurring in Latin America today and reveal themes of social inclusion in addition to inventive architectural forms and spaces.

Continue reading after the jump.

Join Architects and Urbanists On A Bike Ride From Coast to Coast

International
Friday, April 19, 2013
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Riders in Paul Smith Socks. (Greg Bartley)

Riders in Paul Smith Socks. (Greg Bartley)

The English architectural editor, author, and founder of the London Festival of Architecture, Peter Murray, is also a devoted urban bicycle activist. Murray always arrives at events in London with a bicycle helmut under his arm because it’s the only way he moves around the city. He believe’s that “cyclised cities are civilised cities” and has organized group rides around Britain and Europe to publicize the need for cities to become more bicycle friendly. To demonstrate that commitment and to promote cycling, Murray and a group of peers are taking a 4,347 mile ride.

Continue reading after the jump.

Tonight> RE: Think / Profit – Architecture in the Age of the Entrepreneur

East
Thursday, April 4, 2013
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rethinkprofit_01

Today when designing a building, an architect is responsible for more than just the “making a building.”  He or she must consider the kind of transformative effect a building will have on a neighborhood while simultaneously addressing various organizational, spatial, and technical issues as well. Additionally, when opening up a new practice there is a milieu of constantly changing technological, geographic, political, and economic factors that an entrepreneur must bring into careful consideration.

Join tonight’s panel of architects, creative directors, and business professionals in a discussion on the impending challenges architects face in designing buildings and in opening new forms of practice. The RE: Think / Profit – Architecture in the Age of the Entrpreneur will take place at the Center for Architecture at 6:00 p.m.

Friday> AN Talks with Snøhetta’s Craig Dykers at the Center for Architecture

East
Thursday, January 10, 2013
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Craig Dykers.

Craig Dykers.

Join AN this Friday, January 11 at the Center for Architecture for the next Cocktails & Conversations discussion between AN‘s Editor-in-Chief William Menking and Snøhetta principal Craig Dykers. The program pairs a leading architect with a critic, journalist, or curator for an evening of conversation. Bartender Toby Cecchini will be preparing special cocktails inspired by the unique architecture of Snøhetta. We’re guessing it might be called the Fjord with a shot of Blue Curacao and big, craggy mountains of ice.

On View> Edgeless School at the Center for Architecture

East
Monday, December 10, 2012
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Floating desks are part of the exhibition at the Center for Architecture. (Juliana Barton / Courtesy Center for Architecture)

Floating desks are part of the exhibition at the Center for Architecture. (Juliana Barton / Courtesy Center for Architecture)

Edgeless School: Design for Learning
Center for Architecture
536 LaGuardia Place
Through January 19, 2013

Edgeless School investigates how technology is changing education and how architecture itself is changing as a result. The exhibition takes a look at 19 newly completed schools throughout the country (eight are in New York City and the majority of the rest are in the Pacific Northwest) and sorts them by their degree of “edgelessness.” The Ethical Culture Fieldston Middle School in the Bronx, for example, softens the distinction between the built environment and nature by embracing outdoor space and using a connection with nature as an educational tool. The L.B. Landry High School in New Orleans, LA, on the other hand, blurs conventional distinctions between constituencies by encouraging students, educators, parents, and architects to work together to create a building that is designed to further the school’s pedagogical goals.

More photos after the jump.

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