In an effort to supposedly streamline New York City’s landmarking process, the Landmarks Preservation Commission (LPC) will drop 96 buildings and sites from consideration for historic preservation. These sites span all five boroughs and include Union Square, Greenwood Cemetery in Brooklyn, and the Pepsi-Cola sign in Long Island City (above).
Finally. After years and year of delays, Bush Terminal Piers Park in Sunset Park, Brooklyn is open. DNAinfo reported that the opening comes more than 10 years after people started talking about turning the brownfield site into a public space. The long-anticipated park includes a waterfront esplanade, wetlands, tidal ponds, lawns, and athletic fields designed by AECOM and Adrian Smith Landscape Architecture. There is also a comfort station by Turett Collaborative Architects.
Archtober Building of the Day #30
Sunset Park Material Recovery Facility
472 2nd Avenue, 29th Street Pier, Brooklyn
Eadaoin Quinn, the education and administrative coordinator at the SIMS Municipal Recycling Facility presented a classroom full of Archtober enthusiasts with a detailed and informative presentation of the automated process of material sorting and recovery that is recycling. Quinn told us about the machinery of sorting, starting with the “liberator shredder,” which opens the large garbage bags that recyclables arrive in by truck or barge.
Archtober Building of the Day #29> Green-Wood Cemetery Columbarium, Tranquility Gardens, and Chapel/Crematorium
Archtober Building of the Day #29
Green-Wood Cemetery Columbarium, Tranquility Gardens, and Chapel/Crematorium
500 25th Street, Brooklyn
The trend in burial at Green-Wood Cemetery is decidedly toward cremation. Built in 1838, and the final resting place of 570,000 people, it is “literally running out of space,” according to Green-Wood President Richard J. Moylan. He estimated they’ll run out of space for in-ground burials in the next five years. “We could pack them in tighter, but that would ruin it,” he said.
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Installation inverts conventional relationship between architectural models and images.
Each year, a group of Pratt Institute graduate students is challenged with pushing the boundaries of exhibition design as they curate the student work from the previous year. “The basic brief is for it not to be a show where it’s work on white walls, but that there’s an installation component,” said Softlab‘s Michael Szivos, who co-taught the 2014 exhibition course with Nitzan Bartov. The spring show coincides with the publication of Process, a catalog of student projects. “The book shows it in that more normative condition, year by year,” said Szivos. “The installation works in tandem with that. The hope is that the students come up with something different.” This year Szivos’ students passed the test with flying colors, constructing a floating display out of Mylar, medium-density fiberboard, cardboard, and Tyvek that upends the conventional relationship between architectural models and two-dimensional images.
Archtober Building of the Day #24
Kings County Distillery
63 Flushing Avenue, Brooklyn
Three days of Archtober rain have finally given way to a chilly day washed clear—perfect weather for an adventure to the Brooklyn Navy Yard. A crowd of Archtober faithful was on hand (despite the conspicuous post-Heritage Ball hangover of the author) for a hair of the dog moment with Master Distiller Colin Spoelman and architect John Bedard at the Kings County Distillery.
Archtober Building of the Day #21
Runner & Stone
285 Third Avenue
Karla Rothstein and her partner Sal Perry are Latent Productions. They, along with Baker Peter Endriss served up a very nice helping of both delicious snacks and spiffy new architecture on yesterday’s Archtober tour. With a full tour of enthusiasts and architects, Karla and Sal described their self-initiated process of design, development, and construction management. They first prototyped, then fabricated the puffy custom concrete blocks that evoke the sacks of flour waiting to become bread that are the design hallmark of the restaurant, Runner & Stone, in Brooklyn.
Archtober Building of the Day #18
Navy Green Supportive Housing
40 Vanderbilt Avenue, Brooklyn
Architecture in Formation
The design is “not subtle,” said Matthew Bremer, principal at Architecture in Formation, of the design of the Navy Green Supportive Housing Facility in Brooklyn. The bright red, corrugated-metal facade references the neighborhood’s brick townhouses, and also the sea of red brake lights on the Brooklyn-Queens Expressway, visible from the site at night. The corrugated metal gives the building an industrial look and responds to the “grittiness” of the Brooklyn Navy Yard down the street. This bold building is one of four towers in the larger Navy Green development.
Over the weekend, AN joined an Open House New York on a tour of the under-construction Empire Stores warehouse in Dumbo, Brooklyn. The old coffee bean warehouse was built in the 1870s, but has been sitting empty along the East River for decades. By next fall, though, the Empire Stores will have been transformed with all the Brooklyn-type fixings you’d expect. Yes, there is an artisanal Brooklyn market featuring local purveyors. And office space for tech and creative companies. And cafes, restaurants, and beer gardens. Included in the mix is also a rooftop public park and a museum focused on New York City‘s waterfront.
Archtober Building of the Day #9
58 Kent Street, Brooklyn
Ole Sondresen Architect
“Nothing is better than doing nothing.” While this may be the maxim that many of us live by on lazy Sunday afternoons, in Greenpoint, Brooklyn it applies to the design philosophy of Norwegian carpenter-turned-architect Ole Sondresen. During today’s tour of the Kickstarter headquarters, Sondresen demonstrated how this sustainable principle guided his design process.