After a 16-year tenure as director of The Museum of Arts and Design (MAD), Holly Hotchner stepped down from her position. Under her guidance, MAD has been transformed into a significant cultural institution, attracting more than 400,000 visitors annually. Hotchner’s leadership ends on the occasion of the 5th anniversary of the museum’s new location. Hotchner wrote, in a statement, “that it would be best for the institution I have nurtured and love to build upon all that has been achieved and move forward into the future with new leadership.”
Still Life. Fast Company previews Brad Cloepfil/Allied Works Architecture’s design for a new 28,000 square foot Clyfford Still Museum in Denver, which will hold 2,400 works from the artist’s estate. Suzanne LaBarre writes that Still’s will stipulated “that his estate be given, in its entirety, to an American city willing to establish a permanent museum dedicated solely to his artwork.”
Melting Pot. Bloomberg reports that, based on latest Census numbers, New York is back to being the most diverse city in the U.S., beating out L.A. The Italian-American Brooklyn neighborhood of Dyker Heights takes the prize for the biggest shift, with a 31% increase in Asian residents since the last Census.
Scan this! In case you missed it, this week MVRDV released renderings for a mustard factory turned call center in Dijon, France, with an intriguing facade composed of QR tags, via Bustler.
New Mad Men. Tommy Hilfiger and his real estate partners buy the old Met Life clock tower on Madison Avenue with plans to convert it into a hotel, writes The Wall Street Journal. Meanwhile, in the Meatpacking neighborhood, Hilfiger’s weird preppy pop-up cottage stays up through Sunday.
By the time we realized there were no water taxis headed uptown and took the A train, instead, the Museum of Arts and Design’s opening day press conference was almost over and only a few diehard journo’s (Christopher Hawthorne, Robert Campbell) were still lurking around to talk to museum architect Brad Cloepfil of Allied Works Architecture (above in the catbird seat) about winning the four-year fight to turn a playboy’s private collection housed in crimson and burled panelling into a high-tech cabinet of craft curiosities. Asked what he thought about the space now that it’s chock-ablock with the kind of severe white (though some are black) Fort-Knox-style display cases favored by the downtown design store Moss, the architect said, “They have to learn how to play the instrument.”