2015 was a big year for for the Bjarke Ingels Group (BIG), but 2016 may be even BIG-ger. New renderings were revealed this week for 76 Eleventh Avenue, Bjarke Ingels‘ towers on the High Line in New York City. These new views are quite a lot different than images of the diamond-shaped towers that surfaced last November.
Clearly, higher ups at the Bjarke Ingels Group (BIG) are channeling beloved New York rapper Notorious B.I.G.’s approach to urban space. The firm’s recent high-profile commissions (hello, Pittsburgh!) reflect Biggie’s mantra: “the sky is the limit, and [you] know that you can have what you want, be what you want, have what you want, be what you want,” ad infinitum.
Now, Ingels is again looking skyward with a new project along New York’s High Line.
Since 2008, there has been a giant hole where Santiago Calatrava’s Chicago Spire was supposed to rise some 2,000 feet out of the ground. The project lapsed due to financial woes by Irish developer Garrett Kelleher. The foundation is in place, and it looks like a place where a giant swimming pool or music venue would fit nicely, but AN is hearing that developers are working with Bjarke Ingels’ Danish firm BIG on a possible Spire part to.
Bjarke Ingels receives LafargeHolcim Global Bronze Prize for his work to make a more resilient Manhattan
The LafargeHolcim Foundation for Sustainable Construction has recognized New York City‘s commitment to progressive and resilient solutions by awarding Danish architect Bjarke Ingels of his eponymous firm BIG the Global Bronze Prize. AN was on hand as Ingels and company accepted the award.
High-Style Hacks: Bjarke Ingels, Henning Larsen, and Norm Architects tweak an Ikea flat-pack classic
Danish kitchen purveyor Reform has enlisted Bjarke Ingels, Henning Larsen Architects, and Norm Architects to put their spin on a mainstay of Ikea‘s kitchen designs, the Metod. While the architects’ work is confined to surface treatments and small details, the results definitely elevate the kitchen above the generic flat-pack model.
For Two World Trade Center, Bjarke Ingels has created a tower with multiple personalities. From the 9/11 Memorial, the building, with its seamless glass facade, appears like a somber glass giant huddled around the hallowed site with its peers. But from pretty much anywhere else, the building is quite expressive with a stepped massing scheme that appears like a stack of boxes, a ziggurat sliced in half, or a staircase for King King.