Admonishing your kids not to graffiti the walls may be forever futile. A new art installation by publicly deranged Japanese artist Yayoi Kusama entails children being given printed sheets of colored stickers and told to go to town on the walls, furniture, and fixtures of all-white living spaces. Everything from the upright piano to the cutlery and linens in the once-spartan rooms are dappled crazily in a disorienting clot of jarring primary colors.
Known for being economical in terms of space and sticker price, prefabricated homes are also boasting increasingly abbreviated build times. One modest-sized dwelling in Castlemaine, Australia took a mere 10 days to construct and garnered an esteemed sustainability marque from PassivHaus to boot.
Following it’s opening in 2009, urban planners all over the world have been keen on acquiring their own versions of New York’s much-lauded High Line. Sydney is the latest city to enter the fray, selecting a 500-meter stretch of abandoned railway as a foundation for the Goods Line, an urban park and public space, replete with bike paths, study pods and outdoor workspaces catering to local students.
Nearly three decades after he was launched into design stardom by his biomorphic, aluminum Lockhead Lounge (above), famed Australian industrial designer Marc Newson will soon receive his first solo museum exhibition in the United States. Presented by the Philadelphia Museum of Art, “Marc Newson: At Home” will collect furniture, clothing, appliances, and Newsons’ 021C Ford concept car within a mock, six-room home in the museum’s Collab Gallery. Gathered from collections across Europe, Japan, and the United States, in addition to Newson’s personal cache, the objects on display will highlight the various facets of the designer’s distinctive style of flowing lines, bulbous forms, bright colors, and industrial references which helped to define an era of industrial design. The exhibition opens November 23rd and runs until April 20, 2014.
A big “Happy 40th Birthday” goes out to the Sydney Opera House this year, which is still looking good in its middle age. Completed by Danish architect and Pritzker Prize–winner, Jørn Utzon, in 1973, the iconic performing arts center is now an internationally renowned late modernist architectural marvel. Originally, when Utzon entered the 1956 New South Wales Government sponsored competition to envision two performance halls on the Sydney Harbor, his design was discarded. However, his “entry created great community interest” and the jury was persuaded to choose him as the sole architect in the ambitious project.
Utzon received the Pritzker Prize in 2003 and the building made the World Heritage List in 2007. The architect died one year later in Copenhagen but his vision lives on. Against a Sydney Harbor backdrop, the Sydney Opera House has become a graceful, yet dynamic symbol of Australia.
Defying the standards of conventional landscaping, living walls take vegetated ground cover to the vertical extreme. For the past 30 years, French botanist and green enthusiast Patrick Blanc has made a quantum leap forward in the art of gardening by designing and building these living walls all over the globe. Blanc’s latest project—One Central Park Tower—is in Sydney, Australia, where nature’s tranquil features join forces with dynamic city life. The project is a collaborative effort between Blanc and Jean Nouvel. When completed, the major mixed-use urban renewal housing plan will boast the world’s tallest vertical garden.
Dutch firm OMA, Australian architecture firms HASSEL and Denton, Corker & Marshall, along with international design practice Populous have been selected to redevelop a large convention, exhibition, and entertainment district along Darling Harbour in Sydney.
Developers Lend Lease will lead the creation of the 2.15 million-square-foot project called “Darling Harbour Live” that will include a red carpet entertainment venue, an exhibition center, a new residential neighborhood called The Haymarket —designed by Denton Corker & Marshall —and a 900 room hotel for which OMA led the conceptual design. As part of this urban renewal plan, there will also be a focus on outdoor public space with a renovated Tumbalong Park, which can accommodate 25,000 people as an outdoor event space; a new Harbourside Place, a palm tree lined street alongside the crystalline ICC; a Chinese Garden Square; and Haymarket Square, a central meeting spot for the Haymarket neighborhood with outdoor tables and seating.
The Venice Biennale is staged in an enormous old Arsenal building and in an urban park a few blocks away that houses 30 national pavilions. The first of these pavilions opened in 1907 and several were designed by famous architects like Josef Hoffmann (Austria), BBPR (Canada), Alvar Aalto (Finland), and Sverre Fehn (Nordic). The United States pavilion was designed by William Adams Delano. There have been very few buildings built in the garden since James Sterling designed the biennial book store in 1991, but just behind the U.S. pavilion the Australians are building a new exhibition space designed by Denton Corker Marshall. The Australian architects describe the pavilion as a simple structure or “a white box contained within a black box.” The pavilion will open in 2015 for the 56th art biennale and its $6 million price tag will be paid for with private funds.