Building Traveling Thinking

Midwest
Friday, February 12, 2010
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(images courtesy Kavi Gupta Gallery)

We urbanites have all cursed the slow-moving, camera-toting tourists, snapping photos of the iconic buildings in the cities we hustle through daily. As residents, with the dulling nature of time, our appreciation of these structures is diminished. As tourists, they are like vivid stage-sets captured in our minds, but, like all other memories, they are fleeting. We return home and try to explain them to our friends with words, charades-like gestures, and amateur photographs.  Artist Susan Giles explores these ideas in greater detail with her current exhibition, Buildings and Gestures, currently on display at Kavi Gupta Gallery in Chicago through March 13. Read More

Such Great Heights

Midwest
Tuesday, February 2, 2010
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Blue Ridge Pass by Maya Lin (images courtesy Arts Club of Chicago)

Winter makes Chicagoans crave a sense of escape. An intriguing new exhibition of Maya Lin’s work at the Arts Club of Chicago provides a timely opportunity to visit, visually at least, some fascinating terrain. With its small and large-scale sculpture and installations, viewers can travel from mountain peaks to the bottom of the sea. Read More

Full Steam Ahead

East, East Coast
Monday, January 18, 2010
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A bronze mural, one of two designed by Beyer Blinder Belle, adorns the recently renovated lobby of 230 Park Avenue (Courtesy Monday Properties)

While the preservation experts at Beyer Blinder Belle are typically busy making old structures look new with new components that look old (like, say, the signage at a certain skyscraper), BBB’s designers also from time to time design from whole cloth. Or whole bronze, as is the case for a pair of murals created for a recent lobby renovation to 230Park Avenue, the former Helmsley Building that caps Grand Central. Last Monday, Monday Properties president Anthony Westreich, the building’s owner, dedicated the murals along with local pols Scott Stringer and Daniel Garodnick and Landmarks Preservation Commission chair Robert Tierney. Weighing more than a ton, the murals—which were drawn by Chris Ludlow and sculpted by Joan Benefiel under the direction of BBB—hark back to the building’s history as the former headquarters for the New York Central Railroad, depicting a train speeding by with the distinctive profile of 230 Park in the background. See more photos from the dedication and shop after the jump. Read More

New Gams for Lever House

East
Wednesday, December 16, 2009
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Richard Wood's "Port Sunlight" at Lever House (all photos: Amy Barkow courtesy Perry Rubenstein Gallery, New York)

The British artist Richard Woods is known for using patterns from historical sources such as Tudor architecture and the designs of William Morris in his Pop inflected works. His new installation at Lever House, entitled Port Sunlight, wraps the ground level elements at Gordon Bunshaft’s mid-century masterwork in vibrant panels, and while there isn’t a snowflake in sight the effect is festive. Read More

Art On The Gridiron

National
Friday, August 14, 2009
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Mel Bochners Win! will be painted directly onto the walls opposite the monumental staircase in the northeastern portion of Dallas Cowboys Stadium. (Courtesy Marc Selwyn Fine Art)

Mel Bochner's Win! will be painted directly onto the walls opposite the monumental staircase in the northeastern portion of Cowboys Stadium. (Courtesy Marc Selwyn Fine Art)

Thirty-five years ago in Austin, Texas, Willie Nelson forged an historic accord between the hippies and the rednecks. Today, some 200 miles to the north in Arlington, Texas, Gene and Jerry Jones, owners of the Dallas Cowboys, are forming a similar pact, this time between the artists and the jocks. The Jones family has kicked off an ongoing initiative to commission contemporary artists to create site-specific installations for the newly completed Cowboys Stadium. The initial blitz of 14 works includes pieces by such art world luminaries as Franz Ackermann, Annette Lawrence, and Oafur Eliasson. See more after the jump.

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Making Buildings Dream

International
Monday, August 10, 2009
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From Germany via Dangerous Minds comes this stunning 3-D architectural illusion: A square building appears possessed, its facade rippling, segmenting and mutating. Giant hands manipulate the building’s surface and then dissolve. A wave ripples through the building’s bricks as if it were shivering. Read More

Art Island

East, East Coast
Friday, July 10, 2009
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"At The Same Moment" by Lawrence Weiner (here shown in the process of installation). Photos by Victoria Monjo

The physical distance that separates Governors Island from most New Yorkers often offsets the draw and mystery of the place. This summer, however, everyone has a new reason to make the mini-pilgrimage—only 10 minutes by ferry—to the island that was for so many years off-limits. An art installation dubbed PLOT09: This World & Nearer opened to the public on June 27th and features artwork by 19 international artists. Read More

Fire On The Mountain

West
Wednesday, July 8, 2009
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It’s not every day that a scary fire burns within a few miles of a major cultural institution. Well in LA it sort of is, but that’s beside the point. A recent drive on the 405 Freeway revealed to us what all the news reports are saying: There is a biggish blaze burning just one hill over from the Getty Center on LA’s west side. The smoke is thick and brown, and on first look bulged out at the top, not unlike a mushroom cloud. Yikes. Helicopters are running regular passes over the thing, which is spreading in thin lines along the mountains facing the Getty, moving southward down the Sepulveda Pass. But fortunately it appears that firefighters have it under control (in California terms a 10-acre fire is only a mini conflagration), despite a forced evacuation of the Getty and nearby Mount St. Mary’s College. Stay tuned… We hope we don’t have to see if all that marble and granite will hold up to a good ol’ California disaster. And for now, the biggest concern of drivers on the 405 is the threat of imminent traffic. Now that’s scary.

Going Up

East Coast, Other
Monday, June 15, 2009
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During our interview with André, the renowned hotelier talked about how he likes to give each of his hotels its own personality, a reflection of himself. Well, as the hotel continues its soft opening, it has gotten another personal touch, namely the above video by Marco Brambilla installed in the elevators. If you can’t already tell, it’s a trip from hell to heaven in concert with the elevator’s ascent up the Standard New York’s 20 stories. Which begs the question: If you’re staying on the lower floors, are you trapped in purgatory?

Get Set, Go, Party

Other
Friday, May 29, 2009
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Hector Perez, James Gates (Public), Isabel Dutra, James Brown (Public) at the MIX opening. (All photos by Lauren Radack)

Hector Perez, James Gates (Public), Isabel Dutra, James Brown (Public) at the MIX opening. (All photos by Lauren Radack)

Yesterday, we posted the feature from our current California issue, “On Their Mark,” about a new show at the Museum of Contemporary Art San Diego highlighting seven local firms. While sending over the pictures of the exhibition, Mix: Nine San Diego Architects and Designers, that went into our slideshow, the fine folks at MCASD also sent along these nice photos from the opening party, which were taken by Lauren Radack. In case, like us, you couldn’t make it. (And if you know anyone in these photos we may not have mentioned, do tell). Read More

At Home in Dystopia

Other
Thursday, May 7, 2009
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J.G. Zimmerman, Dystopia Series: Suburbia (all images courtesy of the respective artists.)

Friend of AN Jeremiah Joseph visited an exhibition of interest in New York’s gallery district.

Et in Arcadia Ego, a new exhibition at the Thornton Room in Chelsea, examines the intersection and overlap of natural and man-made landscapes. With the title, roughly translated from Latin, “I am in pastoral utopia,” the show, curated by Blanca de la Torre and Juanli Carrion, could easily devolve into a Nature equals Good, City equals Bad equation. Instead, the way the six artists explore the topic is not so divisive or stale. The work tends to engage the subject from the side, generating surreal results. At the end any answers are farther off than before viewing the work, and this ambiguity is show’s strength. It prevents the viewer from standing too sure-footed and jumping ahead to conclusions and prejudices. Read More

Graffitigate

Other
Friday, April 24, 2009
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A worker painting over graffiti adjacent the High Line. (Gothamist)

A worker painting over graffiti adjacent the High Line. (Gothamist)

As Gothamist and Curbed have pointed out today, workers up on the High Line have begun removing one of the elevated track cum park’s dozens (hundreds? thousands?) of graffitos, as seen in the picture above. Everyone seems to be worried about this one mediocre piece, but it’s our sorry job to report that the tragedy goes far deeper than that. Read More

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