The cult of decay is an enthralling topic. This inevitability of time serves as the inspiration of Italian artist Daniele Del Nero‘s new project “After Effects” consisting of a series of model houses in advanced states of decay. Del Nero covered the models in flour and mold which then grew to nearly consume the models. These eerie miniatures appear strangely similar to plant-strewn ruins of many ailing rustbelt cities that have captivated public imagination as cities continue to wrestle with abandonment and revitalization. [ Via designboom. ]
Artist Nils Völker has created a breathing wall comprised of trash bags and cooling fans. One Hundred and Eight selectively inflates a grid of, you guessed it, 108 bags to create a strikingly simple yet poetic result. The softness of the trash bags rising and falling is really something to see. The installation can also interact with the viewer, sensing a person’s presence before the wall. From the artist:
Although each plastic bag is mounted stationary the sequences of inflation and deflation create the impression of lively and moving creatures which waft slowly around like a shoal. But as soon a viewer comes close it instantly reacts by drawing back and tentatively following the movements of the observer. As long as he remains in a certain area in front of the installation it dynamically reacts to the viewers motion. As soon it does no longer detect someone close it reorganizes itself after a while and gently restarts wobbling around.
Can you imagine this idea translated to the scale of architecture? Cloud-like hallways – or even full facades – might actively follow passers by with a gently inflating and deflating rhythm. [ Via Today and Tomorrow. ]
Watch the video after the jump.
Brooklyn-based artist Leeza Meksin plans to give an historic brick structure in St. Louis a new skin – or rather a new set of clothes. House Coat proposes wrapping over 800 yards of spandex around the two-story building, complete with stylized “corset-like fixtures in the back, weights, [and] leather.”
Artist Jenny Odell has created a six-print series of collages comprised of cut-outs from Google satellite imagery that show the great variety present in the built and natural landscapes. By repeating the same typological elements, Odell’s collections offer astounding simplicity and beauty. Prints are available for sale on the artists’s web site. Via Lost at E Minor.
Every building tells a story of its past. But sometimes, with a little prompting, a building can also tell the story of its future. At least that’s what the Hypothetical Development Organization hopes. The group, created in 2010 by author and New York Times Magazine columnist Rob Walker, examines what the future might hold for some of the hidden, and underused, architectural gems in New Orleans by creating renderings of what the buildings could be, you know, hypothetically. Read More
Last night, the 1500 Gallery in Chelsea held an opening for Brasilia, a show of iconic photographs dating from the creation of the freshly minted Brazilian capital. Indeed, the show is meant to be a celebration of the Semicentennial of Oscar Niemeyer’s city in the jungle. The show was organized by Brazilian photographer Murillo Meirelles and will be up through November 27. Pictures of pictures, and more from the opening, after the jump.
Chicago may be better known for NeoCon–that’s the design show, not right-wing political philosophy–but the contemporary and modern art equivalent, Artropolis, appears to be holding ground with another solid run at the Merchandise Mart over the last weekend. Artropolis, the Midwest‘s answer to Art Basel, is comprised of three fairs: Art Chicago; NEXT, an invitational exhibition of emerging art; and the International Antiques Fair. AN’s Midwest Eavesdrop took a spin around the preview party to peep who turned out for the free booze and what was showing at the fairs. Read More