When MoMA debuted its Diller Scofidio + Renfro (DS+R)–led expansion and renovation plans in 2014, the reaction from the public was overwhelmingly negative. Those plans called for demolishing the Tod Williams and Billie Tsien–designed American Folk Art Museum and creating a glass curtain wall that would open MoMA’s entire first floor to the public, for free. It’s not the free part critics took issue with: It was the perceived chaos of the museum-goer experience and wholesale destruction of the folk art museum.
MoMA took note, and pulled plans back. This week, revised plans were revealed. DS+R is still the architect (with Gensler), and the original objective—to create unfettered movement between galleries—remains. But a lot has also changed.
Unfortunately for the Detroit Institute of Art, red ink may yet claim its city-owned collection. This week the museum confirmed Christie’s Appraisals had been hired to appraise a portion of the cultural institution’s holdings. But an appraisal is not a sale.
Five noted teams have been shortlisted from a pool of 18 to renovate and expand the Kimball Art Center (KAC) in Park City, Utah. The firms include BIG/Bjarke Ingels Group; Brooks + Scarpa Architects; Sparano + Mooney Architecture; Will Bruder + Parnets; and Todd Williams Billie Tsien Architects. The center offers exhibitions as well as art classes, workshops, and other educational programs. Plans call for renovating the interior of the existing KAC and constructing a new modern building next door. Each of the proposals will be displayed using augmented reality, photography, and video during the Sundance Film Festival from January 19 through the 29 and a jury will select a winner in February once the public has had a chance to weigh in on their favorites. Construction could begin as soon as mid-2013 with the new wing opening in 2015.
A passerby might mistake the Art Museum at DePaul University as an enduring Lincoln Park fixture, even though the brand new building just opened. Bucking the trend for cutting-edge art museum architecture in favor of a contextual approach was a deliberate decision by the university and its longtime architect, Antunovich Associates.