LACE by Jenny Wu, Prêt-à-3D Print

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Jenny Wu's jewelry line, LACE, includes digitally-designed, 3D printed necklaces, earrings, and rings. (Courtesy LACE)

Jenny Wu’s jewelry line, LACE, includes digitally-designed, 3D printed necklaces, earrings, and rings. (Courtesy LACE)

Oyler Wu Collaborative partner delves into jewelry design.

Oyler Wu Collaborative partner Jenny Wu had long dreamed of designing jewelry—just as soon as she found some spare time. Last fall, she realized that she might wait forever for a break from her busy architecture practice. “At some point I decided, ‘I’ll design some pieces, and the easiest way to make it happen is just to 3D print them,'” said Wu. She fabricated a couple of necklaces, and brought them on her just-for-fun trip to Art Basel Miami Beach 2013. “I wore my pieces around, and I was stunned by the response I was getting,” she recalled. “People kept coming up to me, literally every five seconds. After a while, I thought, ‘Maybe I do have something that’s unique, especially for a design crowd.'”
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Iconic Art Museums Become Sugary Scale Models for Art Basel 2013

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Thursday, December 5, 2013
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(Courtesy Henry Hargreaves)

Japan’s Karuizawa Museum rendered in chocolate by Caitlin Levin and Henry Hargreaves. (Courtesy Henry Hargreaves)

For Miami Art Basel this year, food artist Caitlin Levin and photographer Henry Hargreaves teamed up to recreate some of the most architecturally masterful art museums of the world using a very sugary medium. In candy, chocolate, gingerbread, and icing, the New York City–based collaborative pair have molded and modeled highly detailed scale versions of six iconic art spaces. Photographed by Hargreaves in black and white, the dynamic chocolate angles of Yasui Hideo’s Karuizawa Museum and the sweeping icing curves of Frank Lloyd Wright’s Guggenheim almost seem real.

From December 5 to 8—the duration of the annual international art show—the pictures will be exhibited at Dylan’s Candy Bar in Miami.

View the Candy Creations After the Jump.

An Instagrammers-Eye-View of Art Basel Miami Beach 2012

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Monday, December 10, 2012
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Absolut Art Bureau's egg-shaped Guiro pavilion. (Karen Bookatz)

Absolut Art Bureau’s egg-shaped Guiro pavilion. (Karen Bookatz)

(Editor’s Note: FXFOWLE Architect’s PR head, Karen Bookatz, offers a brief, Instagrammed account of architecture and design highlights at Art Basel Miami Beach 2012.)

Don’t get me wrong: I love art and I love attending art fairs. They provide one a unique opportunity to see what’s fresh and new in the art and design industries—or whatever trade is being rep’d—every few months. For me, however, a booth is a booth is a booth. Art fairs must continue to find new ways of further distinguishing themselves or otherwise run the risk of conventionality.

What Frieze did last May with SO-IL’s tent design (and to a lesser extent, Bade Stageberg and Cox’s environmental design effort for The Armory Show 2012) was a major step in the right direction. Likewise, custom installations and collaborative efforts, while public relations/marketing ventures more than anything else, have proven to be undeniably effective in creating buzz and increasing visibility for the respective firm, artist, or collaborative. (This is why I was personally so adamant about my own firm’s presence—with an architectural installation/lounge project at the Miami Project art fair—at this year’s Basel.)

Continue reading after the jump.

The Life of Riley

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Tuesday, December 8, 2009
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Courtesy MAM

Courtesy MAM

In a series of articles over the past week, The Art Newspaper takes an extensive look at the recently concluded art extravaganza in Miami. It reports that the scene was not as grim as last year, offering this roundup of celebrity-studded Art Basel Miami Beach: “The fair attracted its usual tribes of pop stars, fashionistas, museum directors, actresses in sky-high stilettos and dressed-down buyers, including a denim-clad Roman Abramovich, the Russian billionaire. Lily Allen was sashaying around White Cube, while John Taylor of Duran Duran showed interest in a Richard Prince collage at Gagosian.” But while on the subject of Miami and its art world, the paper reported on Terry Riley’s exit from the Miami Art Museum (MAM), and added a few interesting tidbits to the story. Read More

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