On View> Drawings by Hadid, Tschumi, Gehry, Libeskind, and Koolhaas are being exhibited right now in St. Louis

Architecture, Art, Midwest, On View
Thursday, December 11, 2014
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(Courtesy Kemper Art Museum)

A drawing by Zaha Hadid is part of the exhibition. (Courtesy Kemper Art Museum)

Drawing Ambience: Alvin Boyarsky and the Architectural Association
Mildred Lane Kemper Art Museum
Washington University in St. Louis
1 Brookings Dr, St Louis, MO
Through January 4th

The Mildred Lane Kemper Art Museum in St. Louis is currently exhibiting early drawings from some of the world’s leading architects including Zaha Hadid, Bernard Tschumi, Frank Gehry, Daniel Libeskind, and Rem Koolhaas. The works come from the private collection of the late Alvin Boyarsky who chaired the Architectural Association School of Architecture (AA) in London from 1971 to 1990.

More info after the jump.

Book Launch> Four Conversations

East
Monday, February 6, 2012
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Last Friday's book launch for AN's Bill Menking and Aaron Levy's Four Conversations on the Architecture of Discourse (Stoelker/AN).

The crowd listened at last Friday's book launch for AN's William Menking and Aaron Levy's Four Conversations on the Architecture of Discourse at the Van Alen Bookstore (Stoelker/AN).

Last Friday night, AN‘s William Menking and Aaron Levy launched their new book Four Conversations on the Architecture of Discourse at the Van Alen Bookstore in Chelsea. The book’s publisher, Thomas Weaver of the Architectural Association in London, and the Van Alen’s Olympia Kazi we on hand to help frame the evening’s discourse on discourse.

The new book springs from an earlier effort called Architecture on Display: the History of the Venice Biennale of Architecture, aka “the white book.” In true manifesto fashion, the group sidestepped the official Biennale promo machine by publishing the white book outside of the established Biennale channels and then blanketed the 2010 festival with more than 600 copies.  That book transcribed interviews with former Biennale directors and recovered an important history of the forum. From that quick and dirty approach emerged a longer term plot for the “black book” of Four Conversations, which focused architectural display and its relationship to the public.

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