I love going to Downtown Los Angeles. It’s changed. A lot. And what a fantastic way to celebrate the AIA/LA Design Awards: down on Broadway, choreographed by the Awards Committee to triangulate the historic Million Dollar Theater, the iconic Bradbury Building, and the revamped Grand Central Market for the closing party. In fact, it was so well-choreographed that it was difficult to pull people from the Bradbury (all those fantastic wood, iron, and marble details were lit up in the vertigo-inducing atrium like some movie set) to the actual theater and get them in their seats for the awards presentation. That was the vibe. It was a good time, spilling and tripping out into the street from one venue to the next.
The AIA Los Angeles has awarded its 2013 Gold Medal to Frederick Fisher. Founder and principal at Frederick Fisher & Partner Architects, Fisher has been practicing architecture in LA for more than 30 years. During the late 1970s he was part of the “L.A. School,” a group of architects including Thom Mayne, Frank Gehry, and Eric Owen Moss who staged exhibitions at Mayne’s in-home architecture gallery.Fisher worked in Gehry’s practice for several years, yet in his own designs Fisher eschews the mind-bending geometry for which Gehry and some of his other contemporaries are known. Instead, Fisher’s work is characterized by a combination of lightness and restraint.
[Editor’s note: Our fearless correspondent Guy Horton shares his thoughts—Gonzo Style—on the AIA/LA Awards Ceremony that took place on the Broad Stage in the Santa Monica Performing Arts Center. And he was surprisingly assured by it all. Read ahead, if you dare. And enjoy the slideshow of the Design Award winners at the end.]
To those who missed it,
Man you should have been there. It was crazy. Honestly, the most insane Awards I’ve been to in years. Moby was there. You know he’s been doing this LA architecture blog. He called LA urbanism a “shit show.” Can you believe that? Brilliant. That got repeated a lot and I imagine it will become the buzz-word for the 2012 Awards: The Shit Show. In a good way, of course. He looked a little nervous. Saw him before he went on stage to introduce things. Told me the whole architecture economic situation really sucks. I know, I told him. But that’s OK. We get by.