Product> Innovative Wall Coverings

Product, Spec Sheet
Tuesday, February 9, 2016
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Spec Sheet  
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Courtesy Layer Designs

These innovative coverings do not sacrifice quality or efficiency for style. Modular and adaptable acoustic panels allow for a changing environment, and tie-dye inspired wallpapers translate decades old techniques into modern applications.

More after the jump.

RPBW’s active double skin facade kick starts a “new generation” of campus design at Columbia University

Architecture, East, Envelope
Friday, November 13, 2015
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Air in the cavity cycles at a rate of 6 air changes per minute, managing heat gain and condensation build up in the cavity. (© RPBW)

Air in the cavity cycles at a rate of 6 air changes per minute, managing heat gain and condensation build up in the cavity. (© RPBW)

Columbia University’s expansion has been selected by LEED for their Neighborhood Design pilot program, which calls for the integration of smart growth principles and urbanism at a neighborhood scale.

Renzo Piano Building Workshop (RPBW) is designing four buildings to be built over the upcoming years as a first phase of Columbia University’s Manhattanville campus expansion. The first of these four projects to break ground is the Jerome L. Greene Science Center, a research facility used by scientists working on mind, brain, and behavior research. The facility is ten stories wrapped in nearly 176,000 square feet of building envelope, consisting of transparent floor-to-ceiling glazing.
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LMN Architects’ Collaborative Sound Cloud

Fabrikator
Friday, May 17, 2013
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LMN Architects designed a high-performing ceiling canopy that unifies the many features of traditional theatrical and acoustic systems. (courtesy LMN Architects)

LMN Architects designed a high-performing ceiling canopy that unifies the many features of traditional theatrical and acoustic systems. (courtesy LMN Architects)

A system of 946 unique panels will produce optimal acoustics and aesthetics at the University of Iowa’s new School of Music.

For a 700-seat concert hall at the new School of Music at the University of Iowa, Seattle-based LMN Architects wanted to design a high-performing ceiling canopy that would unify the many features of traditional theatrical and acoustic systems. The result is a 150-foot-long by 70-foot-wide surface composed of 946 suspended, intricately laced panels that incorporate complex, interdependent, and at times conflicting systems—including lighting, theatrics, speakers, sprinklers, and acoustical functionality—in a unified architectural gesture.

“The system is sculptural for sure, but it had to conceal structural truss work, which was a major cost savings as opposed to building an acoustic container,” said Stephen Van Dyck, a principal at LMN Architects. The design team worked with both parametric digital and physical models to coordinate the structural system with the acoustic, theatrical, audio/visual, lighting, fire, and material elements of the canopy. “From Day One, it was a digital model,” he said. “We needed a smaller physical model to get everyone’s head around making this happen physically. A three-foot room model has a big impact on ability to conceive.” LMN fabricated the scale model, as well as a few full-sized components, on the firm’s 3-axis CNC mill. Read More

Unveiled> An Acoustic Renewal in Brooklyn by Bureau V

East
Monday, April 30, 2012
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Original Music Workshop Performance Space (Courtesy Bureau V)

Original Music Workshop Performance Space (Courtesy Bureau V)

Brooklyn-based architecture practice Bureau V unleashed a spectacular design for the Original Music Workshop, a new non-profit arts organization which will open in 2013 with a wide range of musical programming, from classical to jazz to experimental sound. Located in the heart of Williamsburg, Brooklyn, the performance center was designed in collaboration with engineering gurus Arup and features state of the art acoustical technologies.

Continue reading after the jump.

WRL’s Allen Theater Renovation: Eventscape

Fabrikator, Preservation
Friday, November 4, 2011
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Perforated scrims enhance acoustics in the 1920s Italian Renaissance-style theater (Eventscape)

Faceted steel screens solve acoustical problems while keeping the theater’s ornate 1920s architecture on view

The Allen Theater is one of eight venues in Cleveland’s Playhouse Square performing arts district. Opened in 1921 as a silent movie house, the Italian Renaissance-style building was renovated in 1998, when it began to host large Broadway productions and concerts. More than ten years later, the Broadway productions had moved to the nearby State Theater, leaving the door open to new resident companies Cleveland State University and Cleveland Play House. Last year, the 81,500-square-foot theater closed to undergo a dramatic transformation from its 2,500-seat format to a more intimate 500-seat proscenium theater. In the new space, designed by Westlake Reed Leskosky (WRL) and opened in September, faceted steel screens created by Toronto-based architectural fabricator Eventscape not only enhance acoustics but also hide or reveal the theater’s traditional interior finishes depending on the desired aesthetic.

Continue reading after the jump.

Out of Memory: Patrick Tighe Architecture with Machineous

Fabrikator
Friday, February 18, 2011
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A model of the soundscape.

A model of the soundscape.

A site-specific installation at the SCI-Arc Gallery transforms a musical composition by Ken Ueno into a digitally realized built environment.

A robot, a composer, and an architect walk into a gallery. It could be the start of a corny joke, but instead it’s the captivating formula for Patrick Tighe’s new exhibition at the SCI-Arc Gallery. The composer is Ken Ueno, recipient of the Rome and Berlin Prizes, and the robot belongs to Machineous, the Los Angeles-based fabricator hired to realize Tighe’s architectural representation of Ueno’s music.

Read more after the jump.

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