Justin Diles Breaks the Mold for TEX-FAB

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Justin Diles' Plastic Stereotomy took first place in TEX-FAB's fourth annual digital design and fabrication competition. (Courtesy Justin Diles)

Justin Diles’ Plastic Stereotomy took first place in TEX-FAB’s fourth annual digital design and fabrication competition. (Courtesy Justin Diles)

Competition winner uses composite materials to re-imagine Semper’s primitive hut.

The title of TEX-FAB‘s fourth annual competition—Plasticity—has a double meaning. It refers first to the concept at the core of the competition brief: the capacity of parametric design and digital fabrication to manifest new formal possibilities. But it also alludes to the material itself, fiber-reinforced polymer (FRP). “Plastics have the potential to push contemporary architecture beyond the frame-plus-cladding formula dominant since at least the 19th century,” said competition winner Justin Diles. Pointing to traditional stonecutting and vault work, he said, “I’m very interested in this large volumetric mode of construction, but I’m not at all interested in the stone. I think that composites probably offer the best way of addressing this old yet new mode of constructing architecture.”
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Review> The New Normal: Penn Symposium Explores Generative Digital Design

Review
Monday, December 16, 2013
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Interior rendering of Neil M. Denari Architects' competition-winning design for the Keelung Harbor Service Building, Taiwan. (Courtesy NMDA)

Interior rendering of Neil M. Denari Architects’ competition-winning design for the Keelung Harbor Service Building, Taiwan. (Courtesy NMDA)

[Editor’s Note: The following review was authored by Gideon Fink Shapiro and Phillip M. Crosby.]

A generation’s worth of experimentation with generative digital design techniques has seemingly created a “new normal” for architecture. But what exactly are the parameters of this “normal” condition? On November 14th and 15th Winka Dubbeldam, principal of Archi-Tectonics and the new Chair of the Department of Architecture at the University of Pennsylvania, called together some of contemporary architecture’s most prominent proponents of generative digital design techniques for a symposium, The New Normal, examining how these techniques have transformed the field over the past twenty years. According to Ms. Dubbeldam and her colleagues in Penn’s post-professional program who organized the symposium, digital tools have “fundamentally altered the way in which we conceptualize, design, and fabricate architecture.” Participants were asked not only to reflect upon the recent past, but also to speculate on future possibilities.

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Get AIA CES Credits At Designx/Francis Bitoni Workshop.  Get AIA CES Credits At Designx/Francis Bitoni WorkshopJoin us for four days of hands-on digital design and fabrication workshops and at DesignX, hosted by the International Contemporary Furniture Fair, and earn your AIA CES credits! From May 18-21, you can join the industry’s leading experts at the Jacob Javits Center to get your hands dirty with the latest in web-based design apps, parametric design, and interactive modeling services. Stop by Saturday to get the lowdown on 3D printed fabrics from Francis Bitoni, the man behind Dita Von Teese’s miraculously printed gown. Learn how 3D printing is transforming the textile and fashion industries, and get started with the fundamentals of Rhino3D—the world’s leading modeling software. The workshop will cover the basics for creating your design, manipulating geometries, and preparing your textile model for 3D printing. Visit deisgnX.is to reserve your space now, and for more information of the workshops and events.

 

TUFTIT Teaches Materials A New Language

Fabrikator
Friday, July 27, 2012
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A new modeling program can give any material a makeover.

TUFTIT is a fabrication program developed by Alexander Josephson and Pooya Baktash, two students who put their studies at the Architectural Association in London on hold to found Partisans, a research-based architectural platform they started in Toronto following the financial meltdown in 2010. What seemed like a risky venture at the time might just be Josephson and Baktash’s best career move, especially if TUFTIT is an indication of the kind of technologically innovative projects they’re executing.

The modeling program was born from a desire to reinterpret popular traditional styles, like “Edwardian tufted leather furniture” featured in a Restoration Hardware catalogue, for a contemporary audience. “To us, this was an apt example of where innovation and reinvention could occur, especially with the use of parametric modeling,” said Josephson. “The goal was to create a radical new interpretation of that model, one that was completely organic and free in its scale and use.”

Continue reading after the jump.

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