Four Boston design firms fill the Rose Kennedy Greenway with art at the intersection of architecture
This Saturday, a projection-mapped display will cover the Empire State Building to raise awareness about endangered species
As supertall residential towers reach new heights in Manhattan, the Empire State Building still stands strong in New York City‘s skyline—especially after dusk. The building’s crown is quintessential New York and a sky-high representation of holidays, anniversaries, and the day’s news in colorful light. On Saturday night, the Empire State Building will be used for even more.
In a commentary against waste-producing lifestyles, Indian artist creates a sculpture made from 70,000 bottle caps
Indian artist Arunkumar HG has created a somewhat tongue-in-cheek calling out of our throwaway, waste-producing lifestyles with a shoreline sculpture made from nearly 70,000 bottle screw caps. The artist amassed the collection from his neighborhood over the course of a year, carefully stacked the caps, and connected them in vertical configurations using steel filaments.
Honoring the forgotten: Melbourne-based artist Robbie Rowlands makes Detroit’s abandoned houses come to life
The deteriorating floorboards and walls of abandoned homes appear to defiantly reassert their existence in artist Robbie Rowlands’ exhibition, Intervention. While on residency in Detroit, Michigan, the Melbourne-based artist drew attention to abandoned houses by ripping out certain sections and creating track-like extensions of their fixtures—so that the otherwise nondescript wall seems to implore, “pay attention to me.”
James Corner Field Operations unveils initial plans for The Underline, a 10-mile linear park in Miami
It has become common fair to refer to any and all rails-to-trails project as a certain city’s “High Line. ” (Yup, we’ve been guilty of that too.) The ubiquitous High Line comparison might be flattering, but it’s obviously too simplistic. It glosses over site-specific details and rings a bit too New York–centric.
Kim Stringfellow’s Jackrabbit Homestead
The Autry in Griffith Park
4700 Western Heritage Way
Through August 23
The California desert has long been an object of fascination for creatives and explorers fleeing the monotony and sprawl of Los Angeles. Artist Kim Stringfellow follows in that tradition with Jackrabbit Homestead, an exhibition that explores—through photographs and audio interviews—a collection of dilapidated 1950s cabins and the surrounding reclamation of land and structures in this harsh landscape.
In an act that preserved more than a million acres from development, President Obama designated three new national monuments in California, Nevada, and Texas. While the monument in central Texas protects an archeological site where Columbian Mammoths fossils were unearthed, and Berryessa Snow Mountain, the California location, staves off potential suburban encroachment, it is the Nevada monument that holds the most excitement for those with an interest in Land Art.
The Peabody Essex Museum (PEM) in Salem, Massachusetts has unveiled its Ennead Architects–designed expansion that it will build as part of a $650 million “Advancement Campaign.” Along with $200 million for new facilities, the campaign allocates $350 toward its endowment, and $100 million to improve existing infrastructure on the museum’s campus.
It could happen to you: Scultpor Thomas Doyle contemplates domestic life through miniature scenes of destruction
Sculptor Thomas Doyle offers a profound, if morose, take on domestic life and interpersonal relationships by repurposing playthings into artwork that speaks. Using materials and miniatures originally used for the backdrop of model train sets, Doyle creates miniature dioramas enclosed eerily in airless bell jars.
David Hartt: Interval
Art Institute of Chicago
111 South Michigan Avenue, Chicago
Through October 11
Canadian artist David Hartt examines the culture and built environment of a given locale through the changing needs and values of its community. For this essayistic series of films and photographs, Hartt selected two economically and geographically isolated sites: Whitehorse in the Canadian Yukon and Sakhalin Island, a Russian territory at the tip of the Japanese archipelago.