The current focus on research in architectural practice normally means thinking out the design and materials of an upcoming project or a prototype for a hoped-for commission. But when Norwegian and American firm Snøhetta was given the chance to do a research project by the Zumtobel Group they created Living The Nordic Light, and it became an exhibition at Berlin’s Aedes Architecture Forum.
Art has washed up on the banks of southern Indiana‘s White River. Converging south of Indianapolis near Columbus, Indiana, the river’s two forks draw from a series of small tributaries, which an artist working with grant money from the National Science Foundation has chosen as the setting for an interactive public art series meant to provoke discussions on water, environment, and climate.
The Detroit Design Festival returns this year with 30 events and exhibits put together with contributions from dozens of architects and designers. The festival, which runs September 22–26, kicks off with “industry day,” featuring 3D printing demonstrations and a lecture by Stephen Hobbs titled “Defensive Architecture.” You can view a full schedule of the events here.
The installation known as Rolling Sushi and part of the Osaka Canvas Project arts festival involves five oversized pieces of sushi floating down a local waterway as if it were the conveyor belt at a local restaurant. All aboard the sushi train?
When The Broad opens to the public on September 20, Angelenos will finally get to see how Diller Scofidio + Renfro’s design compliments philanthropists Eli and Edythe Broad’s powerhouse collection of 2,000 pieces of contemporary art in their eponymous museum. Works by Ed Ruscha and Cindy Sherman will hang in the 35,000-square-foot, column-free gallery space lit by some 300 skylights.
“It was important to do away with the corners,” stressed Rafa Esparza, as we walked through his immersive work entitled i have never been here before, under construction and on view at LACE, Los Angeles Contemporary Exhibitions, on Hollywood Boulevard through September 13.
Esparza, a Los Angeles–based multidisciplinary artist, is busily transforming the gallery by building two curving adobe brick walls. His construction is a tour-de-force meditation on the place of art, the labor of bodies, and the steadfast mobilization of communities—as both witnesses and collaborators.
Usually the purview of quirky street side kiosks and grassroots neighborhood organizations, book sharing stations have sprouted across Indianapolis with a major assist from the local public library system.
The bust, the sculptural counterpart of the portrait that dates back to classical antiquity, immortalizes not only the likeness of a person from the chest upwards, but the values of both the sculptor and the era in their concepts of beauty and nobility. An object no bigger than a head and a pair of shoulders, centuries later, is a relic embedded with cultural meaning—the preference towards an aquiline nose, for example, or a fixation with youth. With BUST, a group show on view at Jai & Jai in Los Angeles, curator William O’Brien, Jr. asked designers to apply the titular sculptural form to architecture.