Archtober Building of the Day #25
Van Alen Institute
30 West 22nd Street, New York
Three friends from architecture school, Jon Lott (PARA-Project), William O’Brien Jr. (WOJR), and Michael Kubo (pinkcomma gallery), joined forces to form Collective-LOK in 2013. Together, they entered the Van Alen Institute’s Ground/Work competition to redesign the organization’s office and programming space on West 22nd Street. Read More
Archtober Building of the Day #24
Mariners Harbor Branch Library
206 South Avenue, Staten Island
In Mariner’s Harbor in Staten Island, Ana Torriani, AIA, and Lorenzo Pagnamenta, AIA, of A*PT Architecture (formerly Atelier Pagnamenta Torriani) have harvested an oyster intended to produce many pearls of wisdom. Mariner’s Harbor Branch Library, with its luminous, asymmetric zinc roof “cracked open” by a glass spine, resembles an open bivalve, referring back to the neighborhood’s history as an oyster farming community while inviting its current residents inside. Read More
Het Nieuwe Instituut (HNI) is an arts institute for exhibitions, lectures, and research on architecture-and-design-based disciplines in Rotterdam. The institute’s Dutch compatriots MVRDV have just signed a contract which will see the practices early work be uploaded to a new digital archive.
St. Mark’s Bookshop
136 East 3rd Street, Manhattan
Clouds Architecture Office
Clouds Architecture Office is two wonderful architects of international origin and distinction: Ostap Rudakevych and Masayuki Sono. It’s easy to see why the intense and inward duo selected such a multi-valent word to identify their firm. Curiously enough though, their project for the St. Mark’s Bookshop did not in any way darken the nature of retail bookselling—quite substantially just the opposite. The bookstore won an honor award from the AIA New York Chapter Design awards program in 2015.
El Niño may be predicted, but life in the west is still parched. With an eye towards climate change, California’s State Architect has enlisted seven noteworthy architecture firms to develop seven case studies in sustainable school design, for seven representative school campuses.
The civil war in Syria has created millions of refugees forced to flee hostilities for safer ground. Those numbers include, according to the United Nations‘ refugee agency and Save the Children, more than 1.3 million children under the age of 18. To help house those staggering populations, nonprofit Pilosio Building Peace has teamed up with architects Pouya Khazaeli and Cameron Sinclair to build economical architecture designed to house refugees who have been uprooted by war.
Architecture Billings Index up for September, though architecture talent pool is not deep enough for demand
It may be getting colder outside, but the Architecture Billing Index (ABI) is heating up. In September, the ABI bounced back to positive territory, and has seen growth in two-thirds of the months this year. The AIA reported that the September ABI was 53.7, up 4.6 points from August. Any score above 50 marks an increase in billings. Read More
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The building’s pleated glass envelope contains 1,672 energy efficient panels that uniquely responds to its location.
SOM has floated a glass cube above a large stepped civic plaza negotiating a sloped site in downtown Los Angeles for their United States Courthouse project, scheduled to open July, 2016 with an anticipated LEED Platinum rating. The 633,000 square foot, 220 foot tall facility includes 24 daylight-filled courtrooms and 32 judges’ chambers.
The Educational Alliance
197 East Broadway, Manhattan
As the population of Manhattan‘s Lower East Side (LES) has shifted over the past 126 years, the Educational Alliance’s programs have evolved to meet the needs of a changing community. Still close to its roots as a settlement house that helped Jewish immigrants acclimate to the United States (and with mezuzahs on the doors to show for the continued ties with Judaism), the alliance serves the entire community, across age, race, ethnicity, and income level.
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The State of the Art of Architecture, delivered by the Chicago Architecture Biennial Exhibition, must leave lay-visitors bewildered by one overwhelming subliminal message: Contemporary architecture has ceased to exist, the discipline’s guilt and bad conscience has sapped its vitality, driven it to self-annihilation, and architects have now en masse dedicated themselves to doing good via basic social work.