Performance has been the breakout surprise of the Chicago Architecture Biennial. While many of the works inside the Chicago Cultural Center grapple with issues of urbanism, politics, and the resonances of Modernism (especially Mies’ oversized presence in the city) in contemporary culture, the three performances included in the opening weekend program address and embody what is at stake. Read More
After a marathon session of presentations of all architects/artists in the biennial Thursday afternoon was marked by a preview of the complex, yet succinct exhibit House Housing capturing the history of inequality of designed inhabitation. Staged as an open house in one of last remaining buildings of one of the first federally-funded housing complex in Chicago, the exhibition is a walk-through into the part of the future home of the National Public Housing Museum (NPHM).
Intrepid Archtober-ites ventured to the site of the 1964-65 World’s Fair to explore a monument of the Space Age. The New York Hall of Science, a 90-foot-high undulating vertical structure designed by Wallace K. Harrison, was meant to create the illusion of floating in deep space. Cobalt glass shards stud the 5,400 coffers in the rippling wall, filtering sunlight into the interior and bathing it in an intense, blue glow.
The day started with a marathon session involving all participants in the Chicago Architecture Biennial. Hans-Ulrich Obrist, celebrated curator at the Serpentine gallery in London, together with Sarah Herda, director of the Graham Foundation, and architect Joseph Grima, both Chicago Biennial directors, asked 99 architects one simple question: What is urgent? Every participant had 15 seconds to speak, followed by impromptu questions by the curators. The responses were billed as “Telegrams to the World.”
“We were outraged by what we saw—by the violence in everyday life,” said Jeanne Gang when asked about the impetuous behind her firm’s project Polis Project, a proposed reinvention of the typical police station on view at the Chicago Cultural Center as part of the Chicago Architecture Biennial. The work, like any number of projects in the exhibition, highlights the what curator Joseph Grima calls “architectural agency,” where firms take on projects not for a client, but out of a sense of urgency to architecturally address important issues. Read More
After a ten-month competition in which four teams proposed schemes in Northeastern national parks: Paterson Great Falls National Historical Park (Paterson, NJ); Sagamore Hill (Oyster Bay, NY); Steamtown National Historic Site (Scranton, PA); and Weir Farm (Wilton, CT), the Van Alen Institute has finally announced the winner. Read More
The international architecture cognoscenti have descended on the Chicago Cultural Center with a motherlode of new content from Thailand to Ecuador, ranging from robotically-assembled structures to investigations into social and infrastructural inequality. The consequences of this assemblage will unfold over the next few months, but one room in the Cultural Center is particularly clear in its ambition and vision for the future.
Archtober Building of the Day #01
Collaborative Research Center, Rockefeller University
1230 York Avenue, Manhattan
Mitchell | Giurgola Architects
We’re off! Our first Building of the Day in our fifth year is a showplace for understanding the architect as problem solver and the collaborative nature of the profession. The tour was led by Paul Broches, partner at Mitchell | Giurgola, and Jillian Sheedy, senior associate. Carol Loewenson, AIANY 2016 President-elect, joined in as well. Broches told our group of enthusiasts that each of the scientists was individually interviewed to determine the specific requirements for their laboratories. What a challenge to find general solutions to their complex problems—very nicely done—and it received a citation from AIA New York State in 2013.