Admonishing your kids not to graffiti the walls may be forever futile. A new art installation by publicly deranged Japanese artist Yayoi Kusama entails children being given printed sheets of colored stickers and told to go to town on the walls, furniture, and fixtures of all-white living spaces. Everything from the upright piano to the cutlery and linens in the once-spartan rooms are dappled crazily in a disorienting clot of jarring primary colors.
Shigeru Ban: Humanitarian Architecture
Dallas Center for Architecture
1909 Woodall Rodgers Freeway
Through April 25
The Dallas Center for Architecture is presenting a selection of Pritzker Prize winning architect Shigeru Ban’s disaster relief designs. Ban’s humanitarian architecture has confronted some of the world’s most devastating natural and manmade cataclysms in the last 20 years. The Japanese architect is known for his pioneering designs for United Nations refugee shelters in the mid-1990s, using inexpensive and often recycled materials such as paper tubes and cardboard to make durable, shock-proof structures.
Captain Linnaeus Tripe: Photographer of India and Burma, 1852–1860
The Metropolitan Museum of Art
1000 5th Avenue, New York City
Through May 25
In the early days of the British Raj, few people at home in the UK could do anything but imagine the far-away land their nation had conquered and subjected to colonial rule. It would be another 160 or so years before Instagram arrived and the photographic chemistry of the day suffered terribly in the oppressive heat and humidity of the Indian subcontinent. Then along came Captain Linnaeus Tripe.
At the Aronson Galleries at the New School, a wall of pickle jars taped with black-and-white cutout portraits of twenty dictators lines the windowsill. A standard 8 ½ x 11 paper sign invites visitors to Pick Your Own Dick by placing a poker chip in a jar. Chairman Mao, a world-class “dick” whose Cultural Revolution starved and murdered millions of Chinese, and Turkish President Erdogan, an elected Muslim fundamentalist morphing into a military strongman, handily won opening night.
Romancing True Power: D20, the mischievous exhibition designed by Srdjan Jovanovic Weiss of NAO and conceived by Nina Khrushcheva, associate dean and professor at the Milano School of International Affairs, Management, and Urban Policy at the New School, cheekily invites public debate about the nature of and difference between types of dictatorship, taking special glee in thumbing its nose at ostentatious symbols of power. The exhibit was accompanied by a journal compiled by Khrushcheva with Yiqing Wang-Holborn and by a book of graphic novellas designed as a result of Weiss’s seminar on new ideologies at Columbia GSAPP, both profiling selected dictators and their trappings.
If the address 56 Bogart in Brooklyn means nothing to you then you’re missing the center of the art world in New York City in 2015. Forget about Chelsea and the Bowery, Bushwick and East Williamsburg are the most exciting exhibition outposts in the city and maybe in the country. It’s Soho 40 years ago as any Saturday afternoon stroll along Bogart Street will make clear with its cafes, bars, restaurants and working artists lofts on every block.
A number of advocacy organizations questioning the ethics of architecture practice in the United States have received a flurry of attention recently. The New York Times commented recently on the San Francisco–based Architects/Designers/Planners for Social Responsibility’s petition to revise the AIA’s stance on solitary confinement and torture. The New York–based Architecture Lobby made waves in 2014 with protests denouncing the continued prevalence of unpaid labor among architects. Before that, Harvard’s Women in Design provoked top figures in the field to take a stance on the failure of the industry’s awards to adequately acknowledge collaboration in 2013.
Décor: A Conquest
Aspen Art Museum
637 East Hyman Avenue, Aspen, Colorado
Through March 1, 2015
Objects of war have long been used for decorative purposes. Mounted on walls and thus removed from their original context, these weapons take on new meaning. In his inaugural exhibition for the Institute of Contemporary Art in London in 1974, Belgian artist Marcel Broodthaer explored this familiar, yet strange dual identity of weapons as everyday objects but also as “symbols of power.” The Aspen Art Museum, in its new building by Shigeru Ban, has reinstalled this pioneering work.
Palm Springs Modernism Week is in its tenth year of celebrating the city’s architectural masterpieces and tracts of mid-century modern houses. The Architects Newspaper is, for the sixth year, a media sponsor of Modernism Week, and we are here in the Mojave desert reporting on its numerous events.
Coop Himmelb(l)au: Dynamischer Raumplan
Southern California Institute of Architecture
960 East Third Street
Through March 8, 2015
Environmental consciousness and energy conservation have overhauled the blueprint for urban planning. With efficiency at its heart, today’s back-to-nature paradigm will realize the potential of self-sufficient cities powered instead by clean, renewable resources including the sun, wind, water, and earth. The Dynamischer Raumplan is a spatial installation by Vienna-based firm Coop Himmelb(l)au that operates like a machine to visualize the energy lines that shape a city’s morphology.