Kim Stringfellow’s Jackrabbit Homestead
The Autry in Griffith Park
4700 Western Heritage Way
Through August 23
The California desert has long been an object of fascination for creatives and explorers fleeing the monotony and sprawl of Los Angeles. Artist Kim Stringfellow follows in that tradition with Jackrabbit Homestead, an exhibition that explores—through photographs and audio interviews—a collection of dilapidated 1950s cabins and the surrounding reclamation of land and structures in this harsh landscape.
In the Library: Setting the Scene with Theater Architecture and Set Design
National Gallery of Art
6th and Constitution Avenue, NW
Through October 2
Performance venues have constantly morphed with the times, from the amphitheaters of ancient times to the digitally enabled entertainment centers of today.
Last year a labyrinth, now a giant ball pit: National Building Museum hosts indoor beach in its Great Hall
The magnificent, four-story Great Hall of the National Building Museum is now a site for executing cannonballs, rolling on the floor laughing, and other acts of gleeful revelry. A giant ball pit filled with recyclable translucent plastic orbs cuts between the colossal Corinthian columns, bounded by an enclosure made from scaffolding, wooden panels, and perforated mesh all painted stark white.
David Hartt: Interval
Art Institute of Chicago
111 South Michigan Avenue, Chicago
Through October 11
Canadian artist David Hartt examines the culture and built environment of a given locale through the changing needs and values of its community. For this essayistic series of films and photographs, Hartt selected two economically and geographically isolated sites: Whitehorse in the Canadian Yukon and Sakhalin Island, a Russian territory at the tip of the Japanese archipelago.
Foreground: The Landscape of Golf in America
Center for Land Use Interpretation
9331 Venice Boulevard, Culver City, CA
Through September 21
As one of few sports determined entirely by terrain, golf’s field of play is an irregular form defined by outdoor features: grass, trees, sands, mounds, and water. Most sports are played on rectangles of constant dimension, but not golf.
In 2010, at 91, architect and Arcosanti founder Paolo Soleri saw the opening of the Soleri Bridge in Scottsdale, Arizona. The cable-stay pedestrian crossing was the culmination of 60 years of bridge sketches and drawings. Peruvian artist Grimanesa Amorós continues Soleri’s dedication to experimentation with Golden Waters, an art installation extending from the bridge into the Arizona canal. Read More
On View> Arik Levy reflects on design with his new exhibit at Los Angeles’ Please Do Not Enter gallery
Barnett Newman: The Late Collection
The Menil Collection
1533 Sul Ross Street, Houston, Texas
Through August 2
The Late Collection pays homage to Barnett Newman, an artist who came to define the spiritual aspirations of American painting in the mid-20th century by deviating from traditional concepts of figure and foreground in search of an experience of the sublime. The exhibition charts the technical and material transformations of the twilight period of Newman’s career, including his transition from oil to acrylic paint.
Leave it to a pair of Brazilian architects to use reinforced concrete to reinvent small-scale urbanism. While North American designers turn to plywood and recycled palettes to create curbside seating, architects Fernando Falcón and Rodrigo Cerviño of the São Paulo–based practice TACOA Arquitetos shopped for rebar.
“Dotty” Japanese artist Yayoi Kusama brings ‘Obliteration Room’ stateside for the first time—this time inside a prefab house
Publicly deranged artist Yayoi Kusama is bringing her dotty otherworld to the United States for the first time with an exhibition of Obliteration Room at New York City’s David Zwirner Gallery. A reiteration of her signature interactive work, exhibited around the world since 2002, Obliteration Room comprises a nondescript domestic backdrop awash in stark-white paint.
We’ve all heard a lot about “smart cities” and “responsive architecture,” by what about architecture that tells secrets? Murmur Wall, designed by Jason Kelly Johnson and Nataly Gattegno of the experimental design practice Future Cities Lab, does just that. The pair describes their site-specific installation at the main entrance to Yerba Buena Center for the Arts in San Francisco in as “artificially intelligent architecture.”