The Good, The Bad & The Ugly: Architect builds a shocking pavilion to explore society’s domination of nature
Last year artists Petra Bachmaier and Sean Gallero led a collaborative effort to take over Mies van der Rohe’s Farnsworth House with kaleidoscopic light and video loops. That project, INsite, followed similar work at Frank Lloyd Wright’s Fallingwater and Robie House, and imbued Mies’ modernist touchstone with a vivacity often lacking in the contemporary experience of midcentury interiors. (Read AN‘s review of Luftwerk’s INsite installation here.)
Los Angeles–based architect James Michael Tate will offer a “speculative investigation” of one of architecture’s most enduring forms at the University of Michigan’s Taubman College of Architecture and Urban Planning, titled Some Views of Triumphal Arches.
As the Chicago Architecture Biennial‘s October opening approaches, its organizers are beginning to release details about its forthcoming exhibitions. The latest hint is an ad for BOLD, a show of “speculative proposals that re-imagine the design potential” of Chicago’s waterways, roadways, vacant lots and public space. Read More
The Kabbalah is a Jewish mystical tradition that seeks to explain the inner workings of god and “directs initiates to an ecstatic experience of he divine.” The architect Alexander Gorlin has created Light and the Space of the Void, an exhibit that takes the idea of the tradition and focuses it on how it might be seen “either directly or indirectly in contemporary art and architecture.”
Architecture today often gives shape through design to art, fashion, and real estate. But most of the most compelling architecture also gives form to thought, and, in the process, creates edifices that “houses social, political, and spatial relations.” The idea that architects make visible the functions of society in operational and aspirational terms is the theme of Measure, a new exhibition at the Storefront for Art and Architecture.
By now you’ve surely seen a friend or relative’s selfie from the massive ball pit at the National Building Museum in Washington, D.C. The installation, dubbed The BEACH, was designed by Snarkitecture and includes nearly one-million all-white, translucent, recyclable plastic balls. It’s like a McDonald’s ball pit, but artsier and probably a little bit cleaner.
Bringing Street Art Back Downtown: Check out these enormous murals this weekend from New York City’s LoMan Fest
Even as Lower Manhattan has become increasingly filled with luxury condos and scrubbed of its grit, it has retained the legacy and image as a cultural hub. Though many artists who once thrived in downtown have left due to skyrocketing rents and a shrinking stock of available studio and living space, the desire to keep the arts alive there has not withered for some devoted New Yorkers.