SPUR Urban Center Gallery
654 Mission Street
Through October 21
The product of an enviable 16-month-long road trip across the United States, VENUE is the documentation of a series of sites from around the country that are not always considered when surveying architecture and design.
On September 23—and in a the heart of downtown San Diego across Jon Jerde’s famous Horton Plaza—Bosa Development, headed by Nat Bosa, opened for a limited run exhibition entitled Rethink Downtown: Behind San Diego’s Skyline. The show celebrates San Diego’s urban history and asks visitors to ponder downtown’s future: Where it’s going and how architecture, design, amenities, and quality of life enable San Diego to matter on a national scale from millennials to boomers?
Review> Paul Gunther on preservation and the ongoing exhibit, Saving Place: 50 Years of New York City Landmarks
Saving Place: 50 Years of New York City Landmarks
An exhibition at the Museum of the City of New York and Catalog edited by Donald Albrecht, Andrew Dolkart, and Seri Worden
Through January 3, 2016
Since the first trace of the species homo sapiens, human evolution only represents four one hundred thousandths of one percent of the earth’s age. In proportion to an 80-year life span, that means just 31 hours—less than a day and a half of the 701,280 hours lived.
With the existential threat of climate change and ecological ruination gaining traction in collective consciousness—combined with the outsized expectations of breath-holding fundamentalists for whom earth’s rapturous end can’t come soon enough—our sense of what permanence means has begun to shift. If all human culture to date is just four-dozen millennia and we’ve wreaked so much havoc already, “forever” strikes a dubious chord.
Day two at the Chicago Architecture Biennial continued to deliver with a mix of the best international talent and local practitioners who are rethinking the way we build our cities. We were on the ground battling the wind in the crisp Chicago fall. Here are some of our favorite things we found.
After a marathon session of presentations of all architects/artists in the biennial Thursday afternoon was marked by a preview of the complex, yet succinct exhibit House Housing capturing the history of inequality of designed inhabitation. Staged as an open house in one of last remaining buildings of one of the first federally-funded housing complex in Chicago, the exhibition is a walk-through into the part of the future home of the National Public Housing Museum (NPHM).
The day started with a marathon session involving all participants in the Chicago Architecture Biennial. Hans-Ulrich Obrist, celebrated curator at the Serpentine gallery in London, together with Sarah Herda, director of the Graham Foundation, and architect Joseph Grima, both Chicago Biennial directors, asked 99 architects one simple question: What is urgent? Every participant had 15 seconds to speak, followed by impromptu questions by the curators. The responses were billed as “Telegrams to the World.”
“We were outraged by what we saw—by the violence in everyday life,” said Jeanne Gang when asked about the impetuous behind her firm’s project Polis Project, a proposed reinvention of the typical police station on view at the Chicago Cultural Center as part of the Chicago Architecture Biennial. The work, like any number of projects in the exhibition, highlights the what curator Joseph Grima calls “architectural agency,” where firms take on projects not for a client, but out of a sense of urgency to architecturally address important issues. Read More
The international architecture cognoscenti have descended on the Chicago Cultural Center with a motherlode of new content from Thailand to Ecuador, ranging from robotically-assembled structures to investigations into social and infrastructural inequality. The consequences of this assemblage will unfold over the next few months, but one room in the Cultural Center is particularly clear in its ambition and vision for the future.