Philadelphia officially recognizes cyclists as a constituency deserving special protection. This week, Mayor Jim Kenney announced the creation of a “Complete Streets Commissioner,” a new position in city government to oversee the creation of more bike-friendly infrastructure. But the story gets complicated from there.
Like cheese and crackers, music and architecture is a natural pairing. Last November, Steven Holl debuted his ballet, Tesseracts of Time. This year is shaping up to be a promising one for synergy between the two practices: A Marvelous Order, the opera based on Jane Jacobs’ and Robert Moses’ epic feud, is in previews this March, and last weekend, concertgoers at the 92nd Street Y’s “Seeing Music” festival were treated to a Gabriel Calatrava–designed installation that dialogues with Bach’s “The Art of the Fugue.” Read More
Although step-streets—pedestrian corridors that replace auto-centric streets in hilly neighborhoods—are more often associated with San Francisco, New York City has 94 step-streets of its own. WXY Architecture + Urban Design partnered with AECOM to revamp a full-block step-street in Inwood, Manhattan’s northernmost neighborhood.
In West Philadelphia, a team of developers, planners, and architects are asking one of urbanists’ favorite questions: How can a mega-development be made to feel like a neighborhood, and not a bland corporate campus plopped in the middle of the city? Lead developers Wexford Science + Technology and the University City Science Center are spearheading the from-scratch transformation of a former superblock into a sort of mini city within a city.
One of Jersey City‘s selling points is better views of the Manhattan skyline than from Manhattan itself. From the New York shores, its plain to see that Jersey City has amassed an impressive collection of skyscrapers, too. Last week, Perkins Eastman, developer China Overseas America, and city officials officially broke ground on 99 Hudson, a 79 story condominium tower that is set to be New Jersey‘s tallest building.
Rumor had it that the Financial District would be getting a 1,000-foot-tall tower on Trinity Place. This week, renderings were revealed for the FXFOWLE-designed building, and, at 500 feet, it’s considerably shorter than anticipated. As a consolation to supertall lovers out there, every unit will have water views.
When MoMA debuted its Diller Scofidio + Renfro (DS+R)–led expansion and renovation plans in 2014, the reaction from the public was overwhelmingly negative. Those plans called for demolishing the Tod Williams and Billie Tsien–designed American Folk Art Museum and creating a glass curtain wall that would open MoMA’s entire first floor to the public, for free. It’s not the free part critics took issue with: It was the perceived chaos of the museum-goer experience and wholesale destruction of the folk art museum.
MoMA took note, and pulled plans back. This week, revised plans were revealed. DS+R is still the architect (with Gensler), and the original objective—to create unfettered movement between galleries—remains. But a lot has also changed.