Letter to the Editor> Evidence of Attention

Letter to the Editor, Southwest
Monday, November 17, 2014
.
(New Cities Foundation / Rachel Dare)

(New Cities Foundation / Rachel Dare)

[ Editor’s Note: The following reader comment was left on archpaper.com in response to the editorial “New Cities and Old” (AN 04_07.16.2014_SW). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

Whether it be formal arts districts or vibrant arts offerings spread across a metropolitan area, community support of the arts is key to quality of life for downtowns, suburbs, and connected rural communities.

Jill Diaz
Director of Development at Carolina Ballet

Filed Under: 

Letter to the Editor> Quibble Manifesto

Dean's List, Letter to the Editor, West
Thursday, November 13, 2014
.
Hernan Diaz-Alonzo (whatisarchitecture.cc)

Hernan Diaz-Alonzo (whatisarchitecture.cc)

[Editor’s Note: The following comment was left at blog.archpaper.com in response to “Eavesdrop> SCI-Arc Expected to Tap Diaz Alonso to Succeed Eric Owen Moss” (AN Blog 06.20.2014). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

In both the immediate SCI-Arc community and Architecture as a whole, a condition has emerged where all those involved have become a shattered group of individuals, unable to join cohesively in order to communicate about the issues directly at hand. This threatens our position as a student body, as we are inherently responsible for the progression of the field of Architecture we stand to inherit. In a way, it is our duty to consolidate our many abilities so that we can actively take some action in the events that emerge before us. This letter is therefore a call to the student body to gather productively to discuss how we may engage ourselves as a constituency of Architecture.

SCIarc Students

Letter to the Editor> Golden Age of Rail

Denver's expanded Union Station. (Robert Polidori)

Denver’s expanded Union Station. (Robert Polidori)

[Editor’s Note: The following comment was left at archpaper.com in reference to John Gendall’s feature article on multi-modal transit hubs (“The Golden Ticket” AN 07_08.06.2914_MW). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

The original design of all grand U.S. railroad stations fit the architectural design foundation “form follows function.” Unfortunately the years have not been kind to these railroad stations. Real estate developers have coveted the rail yard property for non-transportation development. In some cases these rail yards have yielded to interstates, highways, and streets. This has transformed the depot (waiting room, ticket offices, etc.) into just “a nice old building that used to serve the traveling public.”

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Letter to the Editor> Sitting on the Dock

East, Letter to the Editor
Tuesday, September 2, 2014
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seaport-01

(Courtesy SHoP)

[ Editor’s Note: The following letter was left in the comments section of archpaper.com in response to Alan G. Brake’s editorial “The Seaport Adrift” (AN 09_07.23.2014), which argued for more programming at Manhattan’s South Street Seaport, such as housing. Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

How would adding housing help connect the building to its surroundings? The seaport is inherently a destination for most of the people who use it. The pop-up food market was perhaps the best-suited program for the site.

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Letter to the Editor> Allure of the Glass Ceiling

02-alessandra-hotel-houston-archpaper

(COURTESY GENSLER)

[ Editor’s Note: The following comment was left on archpaper.com in response to our Unveiled on the Gensler-designed Alessandra Hotel in Houston (AN 03_04.30.2014_SW). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

“Glass ceilings permit guests in the lobby to see through to the top floor restaurant.” That lobby will become the biggest gentlemen’s club in Houston.

Bill Wood
Rangeview High School

Letter to the Editor> Motor City Mouthful

Detroit's Michigan Central Station. (Juan N Only / Flickr)

Detroit’s Michigan Central Station. (Juan N Only / Flickr)

[Editor’s Note: The following comment was left on archpaper.com in response to the editorial “Motoring Toward Destruction?” (AN 08_06.05.2014), which parsed the wisdom of Detroit’s blight removal program.Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com. ]

I’m failing to find a thesis in here, other than wholesale demolition = bad, which is something we’re well aware of. Other considerations that weren’t even mentioned in this are aspects of public safety (arson and the use of dilapidated structures in which to commit crimes, peddle drugs, etc.) and the question of revenue (clearing blighted structures for redevelopment). The article even mentions that of the 80,000 blighted structures, we’re attempting to save more than half.

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Filed Under: , ,

Letter to the Editor> Murmurs for Mummers

okc_mummers_theater_01

John Johansen’s Mummer’s Theater. (Courtesy Elliott+Associates Architects)

[Editor’s Note: The following are reader-submitted responses to the editorial “Acceptable if not Noble” (AN 03_04.30.2014_SW), which considered the imminent demolition of John Johansen’s Mummer’s Theater in Oklahoma City and the renovation of Ulrich Franzen’s Alley Theatre in Houston. Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com. ]

There were local groups working hard to preserve and repurpose the Mummers Theater and conceptual plans put forth that incorporated the existing theater into a larger cultural and commercial mixed-use complex. My father supported and encouraged these efforts as an important and necessary evolution of this building, and architecture in general, to reinvent itself by adapting and embracing new ideas and technology.

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Letter to the Editor> Frothing Over Roth

East, Letter to the Editor
Monday, June 23, 2014
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(Roman Kruglov / Flickr)

(Roman Kruglov / Flickr)

[Editor’s Note: The following are reader-submitted response to a back-page comment written by Pamela Jerome (“The Mid-Century Modernist Single-Glazed Curtain Wall Is an Endangered SpeciesAN 05_04.09.2014). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

I applaud Pamela Jerome’s comment piece, “The Midcentury Modernist Single-Glazed Curtain Wall is an Endangered Species.” As for Emery Roth’s output of iconic single glazed curtain wall buildings, they brightened the cityscape, especially on Park Avenue. Their output reflects a design that designates a specific period in our Architectural History, no different from the Palladian Buildings that are adjacent to the Brenta Canal.

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Letter to the Editor> Improvising Modernism

300, 320, and 350 Park Avenue. (Courtesy WASA / STUDIO A)

300, 320, and 350 Park Avenue. (Courtesy WASA / STUDIO A)

[Editor’s Note: The following are reader-submitted response to a back-page comment written by Pamela Jerome (“The Mid-Century Modernist Single-Glazed Curtain Wall Is an Endangered SpeciesAN 05_04.09.2014). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

Pamela Jerome’s thoughtful comment on mid-century modernist curtain walls raises a number of important issues that deserve further study.

Having successfully redeveloped two major twentieth century commercial buildings, I believe that those buildings are probably the least understood in all of preservation theory. They were built by unsentimental men in pursuit of trade, commerce, and wealth. There was never a moment’s hesitation to alter them time and again as tastes changed, neighborhoods evolved, and tenants came and went. Those commercial cultural issues are just as important as the aesthetic issues inevitably associated with any building, and they are very hard to reconcile.

Continue reading after the jump.

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Letter to the Editor> Addressing themselves to the Skyline

East, Letter to the Editor
Tuesday, June 10, 2014
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High above Manhattan. (FLICKR / CARUBA)

High above Manhattan. (FLICKR / CARUBA)

[ Editor’s Note: The following are reader-submitted responses in reference to William Menking’s editorial “Will de Blasio Make Progress on Design?” (AN 05_04.09.2014). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com]

In your editorial “Will de Blasio Make Progress on Design?”, you seem to suggest that there is an inherent conflict between the development priorities of the new administration and the accepted tenets of good urban design. We disagree.

COntinue reading after the jump.

Letter to the Editor> Four-Wheeled Urban Whipping Boy

(GABRIEL WARTOFSKY)

(GABRIEL WARTOFSKY)

[Editor’s Note: The following are reader-submitted responses in reference to Chip Lord’s book review of The Car in 2035: Mobility Planning in the Near Future (“Car Trouble” AN 11_12.18.2013_West). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please emaileditor@archpaper.com. ]

Boy, we get the shit end of every stick for being here in SoCal. Prof. Lord is right. The origami made car is the best thing here if we have to accept the reality of having cars around in 2035. The $7,000 price tag is probably the only real laugh in the book. Well done Dr. Lord.

Hudson Marquez
Ant Farm

Tax tax tax… and eliminate the individual. That’s the future. Not appealing.

Eva Tho
San Diego, CA

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Letter to the Editor> Right On!

san-precarious-archpaper

[Editor’s Note: The following are reader-submitted response to the article “A Manifesto from the Architecture Lobby” (Protest AN 01_01.22.2014_MW). Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com. ]

I read the article, “A Manifesto from the Architecture Lobby” and found every single word applicable to my own situation and my own firm. While we architects enjoy the perceived honor of our profession, it undermines the vocation’s viability as an occupation versus a good hobby.

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