Thomas Jefferson embraced the architecture of Andrea Palladio as model for 18th century America, but he never actually visited any of the Veneto architect’s buildings. Instead he came to know Palladio through Giacomo Leoni’s first English translation of Quatro Libri dell’Architettura published in 1721. Now a beautifully-realized photographic exhibition, Found in Translation: Palladio–Jefferson, at the Canadian Center for Architecture in Montreal subtly focuses on Jefferson’s translation of Palladian architectural form into buildings for the new democratic nation.
Palm Springs Architecture and Design Center will officially open on November 9 with its inaugural exhibition, An Eloquent Modernist, E. Stewart Williams, Architect. Williams is a member of the group of early post-World War II architects that landed in the Coachella desert and helped turn the resort into a fledgling center of modern design mostly for vacation and retirement homes but also of schools, commercial buildings, and civic monuments.
Mexico has a unique architectural and artistic culture that spans generations and decades. It’s is a combination of a powerful indigenous vernacular created when the Spanish met the native peoples, sophisticated European designers immigrating to the country, and a long period when it was cut off from the international flow of capital and ideas. But now a new generation of young architects is redefining this tradition in the most creative and exciting ways. One of those young designers—Frida Escobedo—is in New York and will be presenting her work at the Swiss Institute on Saturday.
What is New York City Mayor Bill de Blasio‘s position on design and public space? Does he care about design or think it is simply a prerogative of the city’s middle class populations? It is one the conundrums of the current administration that it wants to create 200,000 units of affordable housing but does not seem to care about the architecture of the buildings or or how they might affect their surrounding neighborhoods. There is much that is laudable in the mayor’s push for new affordable housing, but will all this new construction be a step back from the progressive attitude of the Bloomberg administration concerning the physical and spatial aspects of the city?
These issues—and others of great concern to the city’s design community—will be the topic of discussion tonight at the AIANY’s Center for Architecture on LaGuardia Place in a panel discussion called “A Changing Landscape: Public Space and the New Administration.”
The fields of urban planning and interiors rarely interface with each other except by chance or coincidence. But the AIA New York Interiors and Urban Planning committees are co-sponsoring Art and Architecture in the Public Realm, a discussion next Tuesday, November 4 that will take on the zone between interior and exterior public space.
Imagine an annual party for architects that has been voted “Ten Hottest Halloween Parties to Die For” in the New York Observer and a “Top Pick Halloween Party” in Time Out New York? It’s the annual Storefront for Art and Architecture Critical Halloween party, taking place this year at 80 Greenwich Street in Lower Manhattan. The party (with a live band and open bar) has always had a theme: Banality, Metaphor, and Corporate Avant-garde in years past. This year’s theme dwells on one of the most feared ghosts of art and architectural production: I-Relevance.
The 7 member vision42design jury met on October 3 and spent the day looking at nearly 200 digital design proposals to transform New York City’s 42nd Street. They easily decided on a list of ten projects that they considered the most outstanding. In a more contested second round of discussions, the jury was able to narrow these projects to a short list of three professional projects and a student-designed project to move onto the second round of the competition.
In 1948, Paul Rudolph was residing at the American Academy in Rome. He had traveled there to study classical architecture, but was instead spending his days designing modern houses for Sarasota, Florida. In fact, Sarasota, according to Timothy Rohan who has recently published a monograph on Rudolph, made a huge impression on the architect and defined his work for the rest of his career. He had moved there to apprentice and work for the local architect Ralph Twitchell, who in the 1940s helped create a style of modern house that eventually became known as the Sarasota school.
Architectural Record along with its sister construction publication, Engineering News-Record, and other products, Dodge and Sweets, have been sold to Symphony Technology Group (STG), a “strategic private equity firm” in Palo Alto, California, for $320 million. McGraw Hill Construction, the current owner of these publications, announced in a market-jargon-filled press release today that, while there were multiple prospective buyers, they sold to STG because that company understands how to build on McGraw Hill’s “storied past of nimbly adapting to changing market conditions and pursuing new growth opportunities in the construction market.” STG has a global portfolio of 22 companies with a combined revenue of $2.7 billion and 17,000 employees. Will Cathleen Mcguigan and her editorial team be leaving their Pennsylvania Station tower for the green lawns of the Silicon Valley soon?