New York City is losing the 1931 Aluminaire House and its relocating to Palm Spring, California. The aluminum alloy and steel structure was created by the architect Albert Frey and A. Lawrence Kocher, managing editor of Architecture Record, and was commissioned by the Architecture League for the Allied Arts and Industry exhibition.
Architects may not get much respect in most American cities, but in Palm Spring, California they’re stars!
Today Richard Neutra who designed the city’s famous Miller House in 1937 and, ten years later, the Kaufmann House will have a star dedicated in his honor on the sidewalk of Palm Canyon Drive just in front of the Palm Springs Architecture Museum.
Palm Springs Modernism Week is in its tenth year of celebrating the city’s architectural masterpieces and tracts of mid-century modern houses. The Architects Newspaper is, for the sixth year, a media sponsor of Modernism Week, and we are here in the Mojave desert reporting on its numerous events.
The Architect’s Newspaper will be headed to California next week for Palm Springs Modernism Week. It’s the sixth year we have served as a media sponsor and we always look forward to the week on the desert as not simply time out from the New York winter but a chance to visit the classic modern houses in the Mojave oasis.
Sketch to Structure
Heinz Architectural Center
Carnegie Museum of Art
Through May 20, 2015
The concept and visual for Sketch to Structure, an exhibition that has just opened at Pittsburg’s Heinz Architectural Center, is so cogent and well thought out it’s a wonder no other museum hasn’t already staged such a show. The exhibit is curated by Alyssum Skjeie of the Heinz Center and takes the architectural design process and divides it into four discrete sections—concept, collaboration, communication, case studies—each with drawings and renderings taken from the center’s own collection.
Jordan Gruzen of Gruzen Samton Architects died on Tuesday at the age of 80. His firm traces its heritage back to 1936 and the firm of Kelly & Gruzen, founded by his father Sumner Gruzen with Colonel Hugh A. Kelly. Gruzen and his MIT classmate Peter Samton joined forces in 1967 and formed their still very active firm, Gruzen Samton (now associated with IBI Architects). They have had a significant impact on the city of New York where the firm focuses on university buildings, high density housing, and other institutional and educational projects. A full obituary of Gruzen will appear in the next issue of AN.
In October on a visit to London, friends mentioned that Eduardo Paolozzi’s early 1980 tile mosaics in the Tottenham Court tube station were going to be demolished. I diverted a Northern Line trip from Bank Street to the Charing Cross branch of the line and and walked through the Tottenham Station taking poorly lit iPhone images of the threatened mosaics. Paolozzi was a founding member of the English Independent Group and as an important early pop artist. His tube station artworks are a colorful and bright addition to a public space that is usually generic and often downright lifeless and boring.
Emanuele Piccardo and Amit Wolf’s “Beyond Environment” explores American naturalism and European urbanity
The 1972 MOMA exhibition, The New Domestic Landscape, featured the unique voices and high designs coming from Italy (particularly Florence) during the period. It was a design interpretation of “Counter Culture” lifestyles coming from American college campuses and media interrupted by the young generation of Italian designers that called themselves radicals practicing “Superarchitettura.” What comes through in the drawings, videos, and objects in the show is that while much of the work foregrounds a “hippie” return to nature how truly urban Italian design thinking was during the period.
The World Trade Center Transportation Hub—or as its designer Santiago Calatrava likes to think of it, the “bird in flight”—is just blocks from AN‘s office, so we get to walk by and watch it try to take off regularly. But in the weeks before the holidays, odd “struts” started to be welded between the structure’s giant fins or blades.
Docomomo is one of our most valuable national architecture organizations. It fights to preserve modern architecture, sites, and neighborhoods even when it is not publicly popular (think of the Paul Rudolph’s Orange County Government Center) in all parts of the country. Now the organization known for its advocacy and preservation of contemporary built culture is sponsoring its second Modernism in America Awards to celebrate the people and projects working to preserve and rehabilitate mid-century modern buildings.
The New York architect and designer Dr. Haresh Lalvani has been researching the forms of living things-particularly those of shape codes akin to our own DNA makeup for 30 years. This research and analysis he then translates into sculptural forms that seem always to be merging and growing not fixed or frozen in place. At his solo exhibition, Mass Customization of Emergent Designs, at Moss Gallery at Design Miami in 2011, he used an algorithm to create 1,000 design variations of a common fruit platter out of a total of 100,000,000,000 possible designs before the computer crashed.