AN reported last week on the yearly Cevisama ceramic fair in Valencia, Spain, and the award winning Harvard project, Extruded Tessellation: Ceramic Tectonics, of industrially produced clay extrusions from the university’s Material Processes & Systems Group. But it was not the only award-winning project of architectural interest at the fair.
Cevisama is the largest annual ceramic and terracotta exhibition in the world. Architects and designers from the whole world are here, but there is almost no North American representation—either displaying products, media reporting on building advances with the material, or architects looking for new products. Thus it was surprising to run across this Harvard University Graduate School of Design (GSD) project from their Material Processes and Systems Group student studio. It is one of the most advanced and exciting projects in the entire fair. Have a closer look below.
The Royal Institute of British Architects has just announced the creation of a new award and you don’t have to be a RIBA member—or even British—to enter or win the prize. It’s called The RIBA International Prize and will be awarded to a building that demonstrates visionary, innovative thinking and excellence of execution, while making distinct contribution to its users and to its physical context.
The sad saga of the destruction of John Johansen’s Mummers Theater in Oklahoma City has just gotten even sadder. AN has reported numerous times on the effort to save Johansen’s 1970 tour de force Stage Center theater, but that battle was lost in 2015 when the extraordinary building was destroyed to make way for a complex of four corporate towers designed by Robert A.M. Stern Architects.
Ian Schrager’s legacy of high design shines in marketing material for Herzog & de Meuron’s 160 Leroy Street
Property developer Ian Schrager has supported good architecture in New York City like no other developer. He pioneered distinguished hotel design at a time when “hospitality” design was an afterthought for hoteliers. For instance, in New York, Schrager built the Paramount, the Royalton, and the Morgan hotels.
We often have books come into our office that are not necessarily on the topic of architecture or urbanism. Slowly, they move down to the bottom of one of our review piles, topped by new arrivals. One such book is School of Nite by the artist and photographer Nancy Goldring and the writer Peter Lamborn Wilson.
Large fairs like Art Basel/Miami always include a few galleries selling works by master architects as well as younger artists whose concerns cross into architectural, urban, and spatial territories. The just-concluded 2015 Miami fair didn’t have a great deal of architectural work this year but enough to keep architects pushing through its seemingly endless hallways of gallery stalls.
One of the great joys of art and art and architecture fairs is the energy they create for specialized focused architecture exhibitions at alternative sites away from the main venues. This is true for all Venice Art and Architecture Biennales and the Salone del Mobile in Milan, Italy. This week’s Art Basel/Design Miami, perhaps because it is still a relatively young event and focused on art and design and not architecture, is short on these sorts of serious ancillary events. But there is one small yet highly focused and detailed exhibit that stands out this week.