The American Institute of Architects has announced the keynote speaker of its 2015 national convention. William Jefferson Clinton, the 42nd president of the United States. The theme of this year’s convention is Impact… Stop chuckling. No? You won’t? Well, fine then. Your mind can stay in the gutter with its silly cigar references about Cuban missile crises and not inhaling.
Vitra—Design, Architecture, Communication: A European Project with American Roots
Philadelphia Museum of Art, Perelman Building, Collab Gallery
2525 Pennsylvania Avenue, Philadelphia, PA
Through April 26, 2015
In its new exhibition, Vitra—Design, Architecture, Communication: A European Project with American Roots, the Philadelphia Museum of Art explores the history of the famous Swiss furniture company from its early licensing partnership with Herman Miller to new collaborations with world-renowned contemporary designers, such as Verner Panton, Antonio Citterio, and Jasper Morrison.
Forget about San Francisco being the hardest place to rent in California. According to a story in the New York Times (citing zillow.com), Angelenos spend 47 percent of their income on the median rent. That’s the highest in the country, and significantly higher than San Francisco, which ranks sixth on the list at 40.7 percent. And the problem appears ready to get worse as new supply struggles to keep up with demand in the overcrowded city. Maybe we’ll all have to move to Bakersfield.
Sink or Swim: Designing for a Sea Change
Annenberg Space For Photography
2000 Avenue of the Stars, Los Angeles
Through May 3, 2015
Sink or Swim: Design for a Sea Change, at the Annenberg Space For Photography, examines worldwide resiliency strategies in architecture and design for the new challenges brought about by climate change and sea level rise.
With 2014 quickly receding into history, here’s a look at what blog posts AN‘s readers clicked on most last month. Big international stories, many with starchitects attached, abounded in New York, London, Los Angeles, Helsinki, and Rio de Janeiro. All of December’s top stories point toward the future, with many under-construction projects that will be sure to dominate additional headlines this year. Here’s a glimpse at what was in the news.
In a previous Eavesdrop, we reported that the famous Morphosis-designed restaurant Kate Mantilini in Beverly Hills was chafing at city plans to landmark the premises. Well it appears the problem may have been resolved. Eavesdrop heard over cocktails that Morphosis itself has been tagged to do the restaurant’s renovation. No official word yet, but this seems like a natural fit, doesn’t it?
There’s been a lot of sunny news revolving around the incoming Expo Line in Santa Monica, which is scheduled to open sometime in 2016. But with all the feverish construction, it appears some unwelcome guests are coming out of the shadows (or actually, the ground). Several businesses around the construction—including those of architects—are reporting increased numbers of cockroaches making their way into their offices. Some have even called it an infestation. Who knew mass transit would attract such a wide ridership?
Speaking of One World Trade, Condé Nast’s highly publicized move-in did not go entirely as planned. According to Gawker, Vogue, which is occupying floors 25 and 26, had to delay the relocation of its editorial department due to an infestation of rats. The rodent problem was evidently so dire that the fashion magazine’s editor-in-chief, a one Anna Wintour, went so far as to issue an order to her staff that they must ensure her office is a rat-free zone before she sets foot inside.
Sculptor Kenneth Snelson is tired of having his name all over the derided spire atop One World Trade Center. It has been widely reported that Snelson consulted with Skidmore, Owings & Merrill (SOM) on the 441-foot-tall spire that brings the tower to its highly symbolic height of 1,776 feet. But he said he was only peripherally involved in the early stages of the design and is not all that connected to what now towers above Lower Manhattan. Snelson said everyone involved in the design of the spire had the best intentions, but as for its final iteration, he’s no fan. “I don’t know why somebody doesn’t decide, ‘well, we should remove the spire,’” he said.