Day 37 & 38: The sheen of the Chicago Architecture Biennial has not worn off as programming continues to impress
Often, there’s a blast of attention for the opening of a Biennial, or Biennale, or Triennale. This happens partly because the media descends on a place for the first few days while opening events abound, and then go back on their merry ways. It’s also due in part to the event’s programming—how much of note actually happens after the initial weekend? The Chicago Architecture Biennial, now over a month on, is bucking that trend by doing a great job of extending its initial burst of programming.
Architects designing ski jumps is one of our favorite typologies, as the megastructure meets the athletic show to produce some of the most Nike-swoosh-like structures out there. Boston is going to get a new mutation of the type when a huge, 140-foot ski jump will be installed on the baseball field, in the shadow of The Green Monster. Actually, it will tower over the Green Monster by 100 feet, as well as the entire structure of Fenway. We have seen all kinds of things on fields, like Bon Jovi concerts and Monster truck rallies, but the huge snow-covered structure is one of our favorites. What is yours?
Vote for your favorite Critical Halloween costumes in Storefront for Art & Architecture’s annual competition
Each year, the Storefront for Art and Architecture hosts a Halloween Party in New York called “Critical Halloween.” Themes have ranged from “Corporate Avant-Garde” to “On Banality, On Metaphor,” and the costume contest is the highlight of the night, as party-goers relive the Avant-garde tradition of building fantastic architectural costumes.
James S. Russell has been appointed the Director of Design Strategic Initiatives at the New York City Department of Design and Construction. Leading a research team, he will help the agency to build its already impressive capacity to deliver equitable growth through environmental sustainability and resiliency.
Day two at the Chicago Architecture Biennial continued to deliver with a mix of the best international talent and local practitioners who are rethinking the way we build our cities. We were on the ground battling the wind in the crisp Chicago fall. Here are some of our favorite things we found.
The international architecture cognoscenti have descended on the Chicago Cultural Center with a motherlode of new content from Thailand to Ecuador, ranging from robotically-assembled structures to investigations into social and infrastructural inequality. The consequences of this assemblage will unfold over the next few months, but one room in the Cultural Center is particularly clear in its ambition and vision for the future.
Winners have been announced for the United States Pavilion at the 2016 Venice Biennale. The exhibition is titled The Architectural Imagination, and will explore the possibilities of Detroit as a laboratory for “the innovative power of architecture.”