Any fan of architecture is familiar with the rich history of the Yale School of Architecture (YSoA). If they aren’t they are likely familiar with some of the projects that have resulted from the school’s influential concrete halls. From Paul Rudolph’s heroic brutalism to Robert Venturi and Denise Scott Brown‘s “Learning From” series—and the productive friction between the two—the school has had an impact on much of the history of 20th and 21st century century architecture.
A new exhibition, “Pedagogy and Place,” organized by YSoA dean Robert A.M. Stern and curator (and AN contributor) Jimmy Stamp with Alfie Koetter, presents a range of student work that tracks the history of Yale architecture, and in parallel, the history of American architecture alongside political change in the U.S.
Last minute holiday shopping? Who isn’t a fan of Robert Venturi and Denise Scott Brown? Whether you like Rome, Las Vegas, or Levittown, you can find something useful from the duo. They are famous for quips like, “You don’t have to like something to learn from it,” and “I can like something worse than you can like.” Venturi even called himself “The Dennis the Menace of Architecture.” Now you can get all the fun ’60s and ’70s architectural debauchery delivered to your house, with the Learning from Bob and Denise store, online now with merchandise fit for a minor league sports team.
With a theoretical site on Mahattan’s 57th Street—the so-called Billionaires’ Row—New York–based Mark Foster Gage Architects (MFGA) was recently asked, “What is the next generation of luxury?”
The firm’s answer? To bring “higher resolution” to those projects by working at a range of textural scales, and his proposed theoretical tower has been making waves in design conversation around the city.
For instance, from far away, the building reads as a figure in the skyline, but up close, there is another level of detail that is not legible from far away. Even closer, the ornament has another level of “resolution” that makes it more visually interesting.
Good news Lincoln Center fans! Heatherwick Studio and Diamond Schmitt Architects will lead the renovation and reimagination of David Geffen Hall, Lincoln Center’s largest concert hall. The team was announced as the selection today by Katherine Farley, chairman of Lincoln Center for the Performing Arts, and Oscar S. Schafer, chairman of the New York Philharmonic.
Postmodern Procedures is a two-day conference at Princeton School of Architecture that offers an alternate history of Postmodernism. The goal is to find something that is less about signs and symbols or historic references, and more about longer-form processes that produced the visual syntax of some of the most interesting projects in architectural history. Follow along as AN will be posting updates all day on Saturday, December 5.
Day 37 & 38: The sheen of the Chicago Architecture Biennial has not worn off as programming continues to impress
Often, there’s a blast of attention for the opening of a Biennial, or Biennale, or Triennale. This happens partly because the media descends on a place for the first few days while opening events abound, and then go back on their merry ways. It’s also due in part to the event’s programming—how much of note actually happens after the initial weekend? The Chicago Architecture Biennial, now over a month on, is bucking that trend by doing a great job of extending its initial burst of programming.
Architects designing ski jumps is one of our favorite typologies, as the megastructure meets the athletic show to produce some of the most Nike-swoosh-like structures out there. Boston is going to get a new mutation of the type when a huge, 140-foot ski jump will be installed on the baseball field, in the shadow of The Green Monster. Actually, it will tower over the Green Monster by 100 feet, as well as the entire structure of Fenway. We have seen all kinds of things on fields, like Bon Jovi concerts and Monster truck rallies, but the huge snow-covered structure is one of our favorites. What is yours?