Escobedo Solíz Studio wins 2016 MoMA/PS1 Young Architects Program

Architecture, Art, Design, East, East Coast
Monday, February 1, 2016

Weaving the Courtyard by Escobedo Solíz Studio. (Courtesy MOMA/PS1)

Mexico City–based Escobedo Solíz Studio is the winner of the 17th annual MoMA PS1 Young Architects Program (YAP) in Queens, New York. Escobedo Solíz Studio, beat five finalists to design a temporary urban landscape for the courtyard of the 2016 Warm Up summer music series. Weaving the Courtyard, will open at MoMA PS1 in Long Island City in early June. According to the architects, the installation will be “neither an object nor a sculpture standing in the courtyard, but a series of simple, powerful actions that generate new and different atmospheres.”

COntinue reading after the jump.

Gina Pollara named President of the Municipal Art Society of New York

Courtesy MAS

Gina Pollara. Courtesy MAS

Architect, author, and urban designer Gina Pollara, has been appointed President of The Municipal Art Society (MAS). Frederick Iseman, Chairman of the MAS Board of Directors announced that the move will take effect immediately. Pollara is best known for overseeing construction of Louis Kahn’s memorial to President Franklin D. Roosevelt, when she was executive director of Franklin D. Roosevelt Four Freedoms Park. The project was completed in October 2012, although it lay dormant for decades after Kahn’s death in 1974.

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On View> 100 Years of Architecture Education at Yale

Architecture, East, On View
Wednesday, January 13, 2016
Art and Architecture building 4th and 5th floor studios, 1963. (Courtesy Yale School of Architecture.)

Yale Art and Architecture building 4th and 5th floor studios, 1963. (Courtesy Yale School of Architecture)

Any fan of architecture is familiar with the rich history of the Yale School of Architecture (YSoA). If they aren’t they are likely familiar with some of the projects that have resulted from the school’s influential concrete halls. From Paul Rudolph’s heroic brutalism to Robert Venturi and Denise Scott Brown‘s “Learning From” series—and the productive friction between the two—the school has had an impact on much of the history of 20th and 21st century century architecture.

A new exhibition, “Pedagogy and Place,” organized by YSoA dean Robert A.M. Stern and curator (and AN contributor) Jimmy Stamp with Alfie Koetter, presents a range of student work that tracks the history of Yale architecture, and in parallel, the history of American architecture alongside political change in the U.S.

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Alejandro Aravena of ELEMENTAL Wins 2016 Pritzker Prize

Architecture, Awards, International, Newsletter
Wednesday, January 13, 2016
2016 Pritzker Prize winner Alejandro Aravena. (Courtesy la Biennale di Venezia)

2016 Pritzker Prize winner Alejandro Aravena. (Courtesy la Biennale di Venezia)

Alejandro Aravena of ELEMENTAL is having a banner year. The Chilean architect—and director of the upcoming 2016 Venice Biennale—has been named the winner of the 2016 Pritzker Architecture Prize. He is best known for his socially-minded approach to architecture—namely housing and disaster relief. Aravena has a number of completed projects that range from “chairs” for sitting on the ground (commissioned by Vitra) to a master plan for Santiago, Chile in the aftermath of a 2010 magnitude 8.8 earthquake and subsequent tsunami.

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I Am a Monumental Gift Idea: Venturi Scott Brown Online Store Now Open

Architecture, National, Product
Wednesday, December 16, 2015
Denise Scott Brown "Duck" Mug. (Courtesy of Learning from Bob and Denise)

Denise Scott Brown “Duck” Mug. (Courtesy of Learning from Bob and Denise)

Last minute holiday shopping? Who isn’t a fan of Robert Venturi and Denise Scott Brown? Whether you like Rome, Las Vegas, or Levittown, you can find something useful from the duo. They are famous for quips like, “You don’t have to like something to learn from it,” and “I can like something worse than you can like.” Venturi even called himself “The Dennis the Menace of Architecture.” Now you can get all the fun ’60s and ’70s architectural debauchery delivered to your house, with the Learning from Bob and Denise store, online now with merchandise fit for a minor league sports team.

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Cool & Unusual: The story behind Mark Foster Gage’s unique tower proposal for Billionaire’s Row

41 West 57th St. by Mark Foster Gage Architects. (Courtesy MFGA)

41 West 57th St. by Mark Foster Gage Architects. (Courtesy MFGA)

With a theoretical site on Mahattan’s 57th Street—the so-called Billionaires’ Row—New York–based Mark Foster Gage Architects (MFGA) was recently asked, “What is the next generation of luxury?”

The firm’s answer? To bring “higher resolution” to those projects by working at a range of textural scales, and his proposed theoretical tower has been making waves in design conversation around the city.

For instance, from far away, the building reads as a figure in the skyline, but up close, there is another level of detail that is not legible from far away. Even closer, the ornament has another level of “resolution” that makes it more visually interesting.

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Thomas Heatherwick and Diamond Schmitt Architects to redesign Lincoln Center’s David Geffen Hall

Architecture, East, News
Thursday, December 10, 2015
The existing David Geffen Hall. (Courtesy Lincoln Center)

The existing David Geffen Hall. (Courtesy Lincoln Center)

Good news Lincoln Center fans! Heatherwick Studio and Diamond Schmitt Architects will lead the renovation and reimagination of David Geffen Hall, Lincoln Center’s largest concert hall. The team was announced as the selection today by Katherine Farley, chairman of Lincoln Center for the Performing Arts, and Oscar S. Schafer, chairman of the New York Philharmonic.

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Live: Postmodern Procedures at Princeton

Architecture, Art, Design, East, Other, West
Saturday, December 5, 2015
Post-modern Procedures poster by Kevin Pazik for Princeton SoA.

Post-modern Procedures poster by Kevin Pazik for Princeton SoA.

Postmodern Procedures is a two-day conference at Princeton School of Architecture that offers an alternate history of Postmodernism. The goal is to find something that is less about signs and symbols or historic references, and more about longer-form processes that produced the visual syntax of some of the most interesting projects in architectural history. Follow along as AN will be posting updates all day on Saturday, December 5.

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Day 37 & 38: The sheen of the Chicago Architecture Biennial has not worn off as programming continues to impress

Architecture, Midwest
Thursday, November 19, 2015
"Tesseracts of Time" by Jessica Lang Dance Co. (Courtesy Chicago Architecture Biennial)

“Tesseracts of Time” by Jessica Lang Dance Co. (Courtesy Chicago Architecture Biennial)

Often, there’s a blast of attention for the opening of a Biennial, or Biennale, or Triennale. This happens partly because the media descends on a place for the first few days while opening events abound, and then go back on their merry ways. It’s also due in part to the event’s programming—how much of note actually happens after the initial weekend? The Chicago Architecture Biennial, now over a month on, is bucking that trend by doing a great job of extending its initial burst of programming.

Continue after the jump.

Everybody Dance Now: Steven Holl collaborates for dance at the Chicago Architecture Biennial

Architecture, Art, Midwest, Newsletter
Tuesday, November 17, 2015
11/5/15 7:24:30 PM -- World Premier of "Tesseracts of Time" by Jessica Lang Dance Co. . © Todd Rosenberg Photography 2015

World Premier of “Tesseracts of Time” by Jessica Lang Dance Co. and Steven Holl. (Todd Rosenberg Photography)

One of the more unusual things I heard when preparing for the Chicago Architecture Biennial (CAB) was a tip from someone involved that there was going to be “a ballet about Steven Holl.” I was obviously excited about this prospect, and I finally got to see the final results last Friday. It may not have been exactly about Steven himself, but it was close.

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Here’s the plan to turn Boston’s Fenway Park into an enormous wintertime ski jump

City Terrain, East
Friday, November 13, 2015
(Image via

(Courtesy Boston Red Sox)

Architects designing ski jumps is one of our favorite typologies, as the megastructure meets the athletic show to produce some of the most Nike-swoosh-like structures out there. Boston is going to get a new mutation of the type when a huge, 140-foot ski jump will be installed on the baseball field, in the shadow of The Green Monster. Actually, it will tower over the Green Monster by 100 feet, as well as the entire structure of Fenway. We have seen all kinds of things on fields, like Bon Jovi concerts and Monster truck rallies, but the huge snow-covered structure is one of our favorites. What is yours?

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Tonight! Join AN’s Matt Shaw in exploring energy, politics, and architecture in New York

W57 by BIG, part of the "Lifestyle" section of the book. Drawing by Janette Kim and Erik Carver (Courtesy Princeton Architectural Press)

W57 by BIG, part of the “Lifestyle” section of the book. Drawing by Janette Kim and Erik Carver (Courtesy Princeton Architectural Press)

Tonight, Monday, November 9, at New York’s AIANY/Center for Architecture, AN Senior Editor Matt Shaw will be moderating a book talk between Janette Kim and Erik Carver, the authors of The Underdome Guide to Energy Reform, a new book released by Princeton Architectural Press. Stop by at 6:00p.m. tonight for light refreshments and beautiful drawings alongside a discussion about the future of ecologically minded architecture and urbanism.

More info after the jump.

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