The Dispersion

East, East Coast
Friday, March 5, 2010

The Functionality's temporary installation, "Feel It, Take It" disappeared last weekend.

“We all have day jobs, and we don’t all live in the same city, or even on the same continent,” said Andrew Lyon, one of the six members of the multi-disciplinary design collective The Functionality. “But we all have a shared desired – to make something.” Lyon was standing beside Colin Harris, a civil engineer and fellow member of The Functionality. Huddled together against the cold last Saturday, the three of us barely fit inside W Project Space, a diminutive storefront gallery on a grubby block of Division Street, in a neighborhood that’s become a kind of lightning rod for just the kind of art practice the Functionality seems interested in pursuing: work that’s categorically messy, temporary, and site specific. Here, in the tiny storefront there’s a sixer of beer on the floor, half empty. Late ’90s hip-hop issues cheerfully out of the tinny speakers of a portable boom box. Honestly, anything louder would overwhelm the space. It’s like being invited to an art opening inside a VW Bus. Over our heads hangs the reason for the gathering: a seductively tactile, monochromatic felt membrane entitled “Feel It, Take It,” designed and installed by The Functionality for a span of time as brief as W Project Space is small.
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Our Inattentive, Unintentional Observation

Tuesday, November 24, 2009

Marina Ballo Charmet stands next to one of her photographs currently on display at the Storefront for Art and Architecture.

It was a low-key but engaging evening at The Storefront for Art & Architecture on Thursday at the opening reception for Marina Ballo Charmet’s peculiarly-titled exhibition of photos and a video, At Land: Bodyscape & Cityscape. Trained as a psychoanalyst, Charmet’s work is driven by her self-professed interest in “inattentive, unintentional observation, irrational and without direction.” As you might guess from the exhibition’s title, the works on display range in scale from the extremely intimate to the nearly impersonal, and were culled from four separate series the artist has been compiling since the mid-1990s. Their common denominator, explains curator Jean-Francois Chevrier in the text that accompanies the show, is Charmet’s proclivity to move “at land, to quote the first film by Maya Deren. […] She makes her way as one would sail, through cities and parks, among bodies, giving her pictures an oceanic and kinematic dimension.” Read More

Sexy As Niemeyer?

East, East Coast
Wednesday, August 19, 2009
For better or worse, the name says it all. (Courtesy

For better or worse, the name says it all. (Courtesy

The bachelor pad is one of those subspecies of residential design that continues to fascinate. Thanks to an abundance of classic examples, especially onscreen (post-war American cinema has spawned a rich tradition of apartments-as-aphrodisiac that stretches back at least as far as the Rock Hudson vehicle Pillow Talk), by now even the most slack-jawed junior hedge fund trader recognizes that the fairer sex is vulnerable to the charms of good interior design. But even with well-formed intentions (good or otherwise), the results can be disastrous when the aspiring lothario is left alone to try to match the pillows to the drapes. Anyone who’s ever been to a young finance guy’s place probably knows the model: a sprawling FiDi loft with a futon in one corner, a poster of the Bud Girls opposite the door, and a fridge empty save for a case each of Smirnoff Ice and citrus Vitamin Water. Fortunately (or unfortunately) there’s now a firm with these helpless guys in mind: Sexy Bachelor Pad. Read More

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