To get a brief taste of a world short one more smart design magazine, type ID Magazine into the search field. You might get i-D with a bunch of nude blondes on the cover or id magazine at the ready to discuss transgender issues in Oregon, but you will not easily find I.D., the magazine that has covered the art of design and the design of the everyday for more than 50 years, winning five National Magazine Awards in the process. While nobody who wanted to know the new brand names in the making dared miss I.D.’s Annual Design Review every July/August (since 1954!), it was really the steady hand and sharp eye of its most formidable editors Julie Lasky and, before that, Chee Pearlman that made I.D. a force of good in design. Lasky left last February to join the website Change Observer and continue championing innovative design. The rest of us will just have to turn the page.
The rumor has been confirmed that Greek-born, Italian-trained dynamo Olympia Kazi is taking over as executive director of the Van Alen Institute as of January 18. After a two-year stint as same at the Institute for Urban Design, where she put the spin on that org’s thirty-year mission to prove that “cities can be designed,” she will now, we presume, have a deeper pool and a wider horizon from which to launch some really big plans. Stay tuned for the official statement.
Playing up to NYC Planning Commissioner Amanda Burden is usually more strategy, than pleasure. But the standing ovation she received today from architects, developers, and city agents, including Deputy Mayor for Economic Development Robert Lieber, felt real as Burden stepped up to accept the J.C. Nichols Prize for Visionaries in Urban Development from the Urban Land Institute.
Established in 1936 with offices around the globe and 40,000 members in the U.S., the Washington DC-quartered Urban Land Institute supports enlightened development research and practices. The Nichols Prize for community building comes with $100,000; past winners have included Senator Patrick Moynihan, architecture historian Vincent Scully, Al Ratner of Forest City Enterprises, and developer Gerald Hines. Read More
The invitation billed it as an exclusive conversation about “the potential of architecture for urban, economic, and political change.” But when Frank Gehry and Richard Armstrong, director of the Guggenheim Museum, sat down before the mics after one and half hours of benefit chow at a new Wall Street steakhouse and just 15 minutes before the event was to end, the talk, like the $200/plate mashed potatoes and pureed spinach, was noticeably soft. Read More
It was only a matter of time, perhaps, before Bangkok boasted it was going to erect the tallest tower in the land. And where there’s bravado, there’s often the Office of Metropolitan Architecture (OMA). This fall construction is to begin on MahaNakhon, a 77-story, 1.6 million-square-foot tower, designed by OMA partner Ole Scheeren. Read More
Over the weekend, the NYT’s Week in Review ran a scattershot call–“Design Loves a Depression” by Michael Cannell, former editor of the paper’s House & Home section–for design to “come down a notch or two.” Enter the Grand Poobah of contemporary design, Murray Moss, who savagely rebutted Cannell’s claims in a guest column for Design Observer cleverly titled “Design Hates a Depression.”
“Don’t panic, don’t wander off…. Open my bag, as they say in French…” Thus begins the audio-tour of the Chanel pop-up architecture pavilion designed by Zaha Hadid and launched this morning in Central Park (Fifth Avenue and 69th Street). The throaty dominatrix on the tape could have been Zaha herself, Read More