Encountering the City: The Urban Experience in Contemporary Art
Kemper Art Museum at the Sam Fox School of Design & Visual Arts
Washington University in St. Louis
1 Brookings Dr., St Louis, MO
Through January 4, 2015
Encountering the City: The Urban Experience in Contemporary Art, an exhibition arriving at the Kemper Art Museum in St. Louis, explores artists’ responses to the contemporary built environment. Paintings, sculptures, photography, and videos from internationally renowned artists in addition to those exhibited in the museum’s own collections, are presented by a sampling of artists including Franz Ackermann, Isa Genzken, Jakob Kolding, Sarah Morris, Gary Simmons, and Wolfgang Tillmans.
The federal Department of Transportation has issued its latest round of its Transportation Investment Generating Economic Recovery (TIGER) grants for cities and states around the country. The grant program was created in 2009 through President Obama’s economic stimulus package and has since provided $3.5 billion to 270 projects. While the DOT has not officially announced the recipients of these new grants, which total $600 million, multiple politicians have been touting the money heading to their districts. Here are some of the projects we know about so far.
More than 40 years after its last high-rise fell, the site of St. Louis’ Pruitt-Igoe public housing development remains basically empty. Design competitions, documentaries, and local developers have all pondered its future. Now the National Geospatial-Intelligence Agency has said it’s considering the 34 acres once home to the infamous housing project as a location for 3,000 jobs.
Inside the Palace of Fine Arts: Cosmopolitanism at the 1904 World’s Fair
Kemper Art Museum, Washington University
1 Brookings Drive, St. Louis, MO
Through August 3
As part of STL250, a region-wide celebration of the 250th anniversary of the founding of St. Louis, the Kemper Art Museum at Washington University presents Inside the Palace of Fine Arts: Cosmopolitanism at the 1904 World’s Fair. This exhibition brings together a selection of artworks from the Museum’s permanent collection that were on view at the 1904 Louisiana Purchase Exposition, along with related works, to explore the role of the World’s Fair in relation to local aspirations to turn the city into an international cultural center. The show features such artists as Jean Charles Cazin, Frederic Edwin Church, Charles François Daubigny, Narcisse Virgile Diaz de la Peña, and Jozef Israëls.
St. Louis’ Grand Center neighborhood has gone through a lot of changes. Though it was hit hard by suburban flight during the 1950s, in recent years the historic and predominantly African-American community area has enjoyed an artistic revival bolstered by theaters and cultural institutions like the Pulitzer Foundation for the Arts.
Now a confluence of development corporations and nonprofits want the midtown neighborhood “to become the premiere cultural and entertainment tourist destination in the Midwest.” Read More
Friday> Freecell & Pulitzer Foundation turn a vacant lot in St. Louis into a parade of public programs
Last year, a vacant lot across the street from the Pulitzer Foundation in St. Louis became the site of a design competition for a temporary built-environment installation. New York’s Freecell Architecture won PXSTL’s $50,000 project budget and $10,000 honorarium for a proposal to erect an adjustable canopy for performances and gatherings—an idea Kristina Van Dyke, director of the Pulitzer Foundation, called “both monumental and ephemeral at the same time.”
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This reminds me quite a bit of the never-built proposal, Bombed Churches as War Memorials (1945), published in London after WWII, which presented various designs for bombed-out churches to be preserved in ruined form with the addition of garden plantings and a few amenities.
On the Thresholds of Space-Making
Sam Fox School, Washington University
One Brookings Drive
St. Louis, Missouri
Through April 20
The work of Shinohara Kazuo (1925–2006), one of Japan’s most influential architects of the postwar generation, is surveyed in On the Thresholds of Space-Making. Shinohara gained popularity as an architect with his series of sublime purist houses designed over a thirty-year period that went through the 1980s. Shinohara scrutinized and reframed fundamental architectural conventions, such as public/private, body/space, and openness/enclosure.
Ten Roads Whose Time Has Come: Congress for the New Urbanism Releases List of Freeways Ripe for Removal
The Congress for the New Urbanism has released their annual list of Freeways Without Futures. The organization selected the top 10 urban American (and one Canadian) highways most in need of removal. The final list was culled from nominations from more than 50 cities. Criteria for inclusion included age of the freeway, the potential that removal would have to positively effect the areas where the roadways are currently situated, and the amount of momentum to realize such removals. Additionally the CNU highlighted campaigns in Dallas, the Bronx, Pasadena, Buffalo, and Niagra Falls, that are taking significant steps towards removing freeways (some of which have been included in past lists) as illustrations of broader institutional and political shifts on urban infrastructural thinking.
It’s open season for public art in St. Louis, according to the groups behind Sculpture City St. Louis 2014—an ongoing festival “intended to draw attention to the rich presence sculpture has in the visual landscape of our region.” The programming leads up to and continues after an April conference.
Art exhibitions throughout the year aim to continue the conversation. For instance, Art of Its Own Making, a show at the Pulitzer Foundation for the Arts that features sculpture, installation, film, and performance works through August 20.