Philip Johnson’s Farney House in Sagaponack, New York has been demolished

Architecture, East, Newsletter, Preservation
Wednesday, October 15, 2014
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The Farney House. (© Ezra Stoller/Esto)

The Farney House. (Ezra Stoller/Esto)

The village of Sagaponack, New York has confirmed to AN that Philip Johnson’s Farney House has been demolished. A Robert A.M. Stern–designed home is expected to rise in its place. Johnson completed the home in 1946, just three years before his world-famous Glass House in New Canaan. The now-disappeared Hamptons home is believed to have inspired that later work.

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On View> Fujiko Nakaya: Veil at the Philip Johnson Glass House

(Courtesy Philip Johnson Glass House)

(Courtesy Philip Johnson Glass House)

Fujiko Nakaya: Veil
Philip Johnson Glass House
199 Elm Street, New Canaan, CT
Through November 30

For its 65th anniversary, Philip Johnson’s Glass House in New Canaan, Connecticut, is hosting an exhibition by Fujiko Nakaya that utilizes the historic site itself. Veil shrouds the Glass House as well as the surrounding landscape with fog by running fresh water through high-pressure pumps. The fog will be heavily released then dissipated at set time intervals to obscure the visibility of the area and create a unique experience for visitors.

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New York City allocates $5.8 million to stabilize Philip Johnson’s New York State Pavilion

The Tent of Tomorrow. (Henry Melcher / AN)

The Tent of Tomorrow. (Henry Melcher / AN)

After decaying for years, the New York State Pavilion from the 1964 World’s Fair is getting some TLC. The New York Times reported that $5.8 million was allocated in New York City’s budget to stabilize the Philip Johnson–designed pavilion in Queens.

More after the jump.

Grocery Store Tycoon John Catsimatidis Wants to Save Philip Johnson’s New York State Pavilion

Development, East, Preservation
Monday, March 31, 2014
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John Catsimatidis wants to save the NY State Pavilion. ( David Tan / Flickr)

John Catsimatidis wants to save the NY State Pavilion. ( David Tan / Flickr)

John Catsimatidis, the billionaire-grocery-store-tycoon-turned-failed-mayoral-candidate said he will write a check to save Philip Johnson’s iconic New York State Pavilion in Queens, New York. That is, if someone presents him with the right “visionary” plan.

 

 

 

 

 

 

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Renovation Team Announced for Philip Johnson’s Crystal Cathedral in Anaheim

Newsletter, West
Wednesday, September 18, 2013
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Philip Johnson's Crystal Cathedral (left), Richard Neutra's Tower of Hope (center), and Richard Meier's Center for Possibility Thinking (right). (Diocese of Orange)

Philip Johnson’s Crystal Cathedral (left), Richard Neutra’s Tower of Hope (center), and Richard Meier’s Center for Possibility Thinking (right). (Courtesy Diocese of Orange)

Anaheim’s Crystal Cathedral, designed by Philip Johnson in 1980, and containing more than 10,000 panes of mirrored glass, is one of Orange County’s rare architectural treasures. Today the Roman Catholic Diocese, which purchased the church last year, announced that Johnson Fain and Rios Clementi Hale will be leading its $29 million renovation. The exterior of the building will be essentially unchanged outside of cleaning and replacing damaged glass, but the interior will be heavily remodeled to upgrade access, sight lines, finishes, and environmental comfort. The renovation will also add significant new elements to adapt to the church’s new Catholic focus (it had once been an evangelical church), including a new altar, a baptismal font, and new cathedral doors. “It’s an open palette inside,” said Diocese spokesperson Ryan Lilyengren, who likened the iconic exterior to a shell.

Continue reading after the jump.

On View> University of Nebraska presents “Look for Beauty: Philip Johnson and Art Museum Design”

Midwest, On View
Friday, September 13, 2013
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(Daniel Mirer)

(Daniel Mirer)

Look for Beauty: Philip Johnson and Art Museum Design
Sheldon Museum of Art

12th and R streets, University of Nebraska, Lincoln, NE
Through October 13, 2013

The Sheldon Museum of Art in Lincoln, Nebraska, is currently celebrating the works of Philip Johnson, the influential American architect who promoted the International Style and, later, defined postmodernist architecture. One of his most iconic projects was the design of the Seagram building in Manhattan, a project undertaken in partnership with Mies Van Der Rohe. This particular project marked a decisive shift in Johnson’s career. Look for Beauty examines the design journey of Philip Johnson through the examination of three of his earlier museum buildings: Munson-Williams-Proctor Arts Institute, the Amon Carter Museum of American Art, and the Sheldon Memorial Art Gallery (now the Sheldon Museum of Art). These three projects form a coherent study of Johnson’s developing personal style in the early years of his career. The exhibition includes models, plans, furniture, photographic murals, and archival materials such as correspondence, exhibition photographs, and catalogs.

Coffee + Giacometti: MoMA Sculpture Garden Offering Free Morning Access

East
Wednesday, August 21, 2013
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The Abby Aldrich Rockefeller Sculpture Garden at MoMA. (Martin Seck)

The Abby Aldrich Rockefeller Sculpture Garden at MoMA. (Martin Seck)

MoMA’s renowned Abby Aldrich Rockefeller Sculpture Garden will be open and free to the public from 9:00 to 10:15 am, beginning September 9. Designed by Philip Johnson—and preserved during the recent Yoshio Taniguchi expansion—the sculpture garden is one of the great modern landscapes in the U.S., and currently features sculpture by Pablo Picasso, Joan Miró, Alberto Giacometti, Tony Smith, and others. With coffee and beverages available for purchase, the garden is sure to become a destination for quick business meetings and quiet moments of cultural immersion amid the hubbub of Midtown mornings.

Boston Public Library’s Philip Johnson Branch To Be Renovated

East
Thursday, May 2, 2013
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Boston Public Library Johnson Building (Courtesy Boston Public Library)

Boston Public Library Johnson Building. (Courtesy Boston Public Library)

Library officials and developers hope to give Boston Public Library’s Philip Johnson-designed branch a facelift, but as the Boston Herald reported, local residents question who these proposed changes will really benefit. Standing besides Charles Follen McKim’s 1895 Beaux Arts masterwork on Copley Square, and across the street from the site of the recent marathon bombings, the mid-century monolith, which was completed in 1971, has been likened by many to a bunker or mausoleum and derided for its “greyness” and “bleakness.” With nearly half of Boston’s library users regularly visiting this branch, some think it’s about time for an upgrade.

Continue reading after the jump.

Glimpse Miami’s Abandoned Marine Stadium and the New Perez Art Museum Miami

East, Newsletter
Tuesday, April 30, 2013
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Marine Stadium (Courtesy of Nicole Anderson/AN)

Marine Stadium. (Courtesy Nicole Anderson/AN)

Last month AN compiled a list of the most high profile projects taking place in Miami, and on a recent trip to the Magic City, we had the opportunity to visit two of these sites: the shuttered Marine Stadium and Herzog and de Meuron’s new building for the Perez Art Museum Miami (PAMM).

While new developments flood Miami, preservationists are fighting to save and revive the abandoned Marine Stadium on Virginia Key by Cuban-born architect Hilario Candela. In 2009, the graffiti-covered venue that once held powerboat racing events and large-scale concerts, was placed on the National Trust for Historic Preservation’s list of “11 Most Endangered Historic Places.”

Continue reading after the jump.

People In Glass Houses Should Have Fresh Flowers

East, National
Monday, August 27, 2012
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Philip Johnson and David Whitney. (Courtesy Glass House)

Philip Johnson and David Whitney. (Courtesy Glass House)

Director Henry Urbach just announced a program that will reintroduce fresh flowers into Philip Johnson’s iconic Glass House in New Canaan, CT, where they’ve been missing seen since Johnson and his partner, David Whitney, passed away in 2005. The arrangements will be created by local designer Dana Worlock, using Whitney’s original plant selection and archival photographs of the home’s interior as inspiration.

Meanwhile, AN is participating in this week’s Glass House Conversations about themes in this year’s Venice Biennale, especially the relationship between critical compliance as espoused by David Chipperfield and Spontaneous Intervention and as featured in the U.S. Pavilion. Share your thoughts through September 2nd.

The Glass House
199 Elm Street, New Canaan, CT 06840
Open Thursday-Monday, 9:30a.m-5:30 p.m.
Tickets start at $30.

Michael Graves, Steven Holl Named Academicians of the National Academy

East, National, Shft+Alt+Del
Thursday, June 28, 2012
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The National Academy on 5th Avenue in New York. (Courtesy National Academy)

The National Academy on 5th Avenue in New York. (Courtesy National Academy)

On June 28th, the academicians of the National Academy welcomed 23 newly elected members, recognized for their contribution to American art and architecture. This year, the nominees included artists working in video, photography, and installation, further reinforcing the National Academy’s mission of promoting art across America.  The roster of over 2,000 academicians includes famous pioneers of early American art such as Thomas Cole and seminal architects such as Philip Johnson.

Fukuoka hotel by Michael Graves. (courtesy National Academy)

This year’s inductees include visual artists such as Cindy Sherman and Bruce Nauman and architects Steven Holl and Michael Graves. Chosen annually by their peers, the elected members contributed representative work to the Academy’s permanent collection of over 7,000 artworks, architectural drawings, photographs, and models.

Kamin: Humana Resurrecta.  Michael Graves Humana building, Louisville, 1986 (Courtesy AIAArchiblog). Blair Kamin seems to have joined the reconsider PoMo chorus, stating in his Sunday column that the movement “deserves a more sophisticated reappraisal.” The focus of the Tribune tribute was Michael Graves’s Humana building in Louisville, Kentucky.  By drawing comparisons to Johnson’s AT&T building in its unabashed commercialism and to Kohn Pedersen Fox’s 333 Waker Drive for its national significance, Kamin writes that “Graves crafted a tower that could only have been built in Louisville.” The reassessment comes on the heel of Graves receiving the Richard H. Driehaus Prize for classical and traditional architecture in Chicago last month, which in turn came after last fall’s PoMo Conference at New York’s Institute for Classical Architecture and Art. Seems that the classicists are going gaga for PoMo.

 

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