Proposal to Build a Park Atop Los Angeles’ 101 Freeway Gets Big Push From City

West
Thursday, September 12, 2013
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Conceptual rendering of a 101 Freeway Cap Park developed by AECOM.

Conceptual rendering of a 101 Freeway Cap Park developed by AECOM.

In recent years several proposals have been floated for freeway cap parks in Los Angeles with barely any traction. Until now. On Friday LA City Council voted to have various city departments (including planning and engineering) partner with nonprofit Friends of Park 101 to raise funds for a park that would bridge the 101 Freeway, connecting Downtown’s Civic Center with Olvera Street and Union Station. Possible grants could come from local, state, and federal sources. It’s still a long way from happening, but this is a big deal. Friends of the Hollywood Central Park have created a function on their web site where users can design their own cap park, but if Park 101 gets some of these funds we could be building a park downtown for real.

First Steps At Los Angeles’ Pershing Square

City Terrain, West
Friday, September 6, 2013
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Gensler's conceptual design concept for Pershing Square (Gensler)

Gensler’s conceptual design concept for Pershing Square. (Courtesy Gensler)

Last week Los Angeles councilman, Jose Huizar, announced the formation of a 21-member task force to help re-imagine Pershing Square, the beleaguered central park in the middle of downtown. The group includes local residents, design and architecture experts, business people, and government officials. Huizar said he hoped they could bring “a wide-range of ideas and perspectives to the discussion.” They’ll also have to develop an agenda and a timeline, and figure out how to fund the project.

COntinue reading after the jump.

New Mural Ordinance Opens Floodgates For Art in Los Angeles

West
Friday, August 30, 2013
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Untitled, by Mister Cartoon & El T Loko (Mural Conservancy of Los Angeles)

Untitled, by Mister Cartoon & El T Loko (Mural Conservancy of Los Angeles)

Finally. Los Angeles’ City Council on Wednesday passed a new mural ordinance, legalizing murals on private buildings after a decade of banning them. Of course would-be public artists still have to go through an extensive permitting process, and pay a$60 fee, but if they’re persistent they can finally go crazy. That is, as long as their murals don’t contain commercial messages.

“It’s a big victory and we’re thrilled,” said Isabel Rojas-Williams, executive director of the Mural Conservancy of Los Angeles. The group has been protecting the city’s murals and muralists since 1987. “Despite the recent restrictions, the city has remained one of the country’s mural capitals.”

Don’t believe us? Behold a selection below of our favorite (finally-sanctioned) murals from around the City of Angels, courtesy of the Mural Conservancy. They range from political to historical to street art / graffiti, to, well…the undefinable. Read More

Studios at the Ranch: Disney Makes Move to “Hollywood North”

West
Thursday, August 29, 2013
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Studios at the Ranch (Disney)

Studios at the Ranch (Disney)

On Tuesday, Los Angeles County’s Board of Supervisors voted to approve Disney’s huge new TV and film production facility on the Golden Oak Ranch near Santa Clarita. The project is being master planned by LA-based firm, Johnson Fain, and the 58-acre “Studios at the Ranch” will include more than 500,000 square feet of studios, sound stages, offices, writers and producers “bungalows” and other developments.

Continue reading after the jump.

wHY Architecture to Convert Masonic Temple Into a New Art Museum in Los Angeles

West
Thursday, August 15, 2013
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Millard Sheets' Masonic Temple. (Courtesy Google)

Millard Sheets’ Masonic Temple. (Courtesy Google)

Culver City firm wHY Architecture has been selected to design a new art museum in Los Angeles for Maurice and Paul Marciano, the founders of clothing empire Guess? Inc. The museum will be located inside a marble-clad, four story Scottish Rite Masonic Temple on Wilshire Boulevard near Lucerne Boulevard.

When retrofitted in 2015, the austere building, originally designed by legendary artist Millard Sheets, will contain 90,000 square feet of exhibition space, showing off the Marciano’s impressive collection, which will be open for “periodic exhibitions for the public.”

wHY has also designed L&M Arts and Perry Rubenstein Gallery in LA, an expansion of the Speed Art Museum in Louisville, and the Tyler Museum of Art in Texas. They’re also working on a Studio Art Hall at Pomona College outside of LA.

Peace of Infinity in California

Fabrikator
Friday, August 9, 2013
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Brought to you with support from:
Fabrikator
Brought to you with support from:
Fabrikator

 
Concreteworks fabricated 122 8-inch components for an architectural screen in a California residence. (Mariko Reed)

Concreteworks fabricated 122 8-inch components for an architectural screen in a Sonoma, Calif., residence. (Mariko Reed)

Concreteworks fabricates a Hauer-inspired concrete screen for a residential West Coast architect.

Oakland, California–based design and fabrication studio Concreteworks has crafted custom concrete products—bath fixtures, commercial and residential surfacing, outdoor furniture—for more than 20 years. In the last three years, the company has branched out into “lab projects,” in which the 30-member workshop models and mills concrete into three-dimensional architectural features. It does so without the aid of specifications from the designer. “We solve the design issue and the technical requirements,” creative director Mark Rogero told AN.

Interior architect Michelle Wempe of Zumaooh discovered Concreteworks’ advanced capabilities in the company’s showroom and was impressed enough to incorporate the work in a residential project she was working on in Sonoma. Though her original design did not include it, Wempe asked Rogero to develop a custom patterned architectural screen at the terminus of a hallway between a living area and private quarters. “We got a lot of inspiration from Erwin Hauer’s work, and the client contributed some images of a 2D cross that is a symbol of peace in some parts of the world,” Rogero said.

Read More

Welton Becket’s Santa Monica Civic Auditorium Says Goodbye

West
Tuesday, July 2, 2013
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(Courtesy Santa Monica Civic Auditorium)

(Courtesy Santa Monica Civic Auditorium)

Welton Becket’s 1958 Santa Monica Civic Auditorium, once a beacon of midcentury optimism, this weekend shuttered its doors. The bending, intricately ornamented auditorium hosted several Academy Awards in the 1960s, as well as concerts by the likes of Eric Clapton, Frank Sinatra, James Brown, Ella Fitzgerald, Prince, and Bob Dylan.

But the facility recently fell on hard times, as bands gravitated to larger venues (leaving it mostly hosting trade fairs), and as a planned $52 million renovation was recently cancelled when California abolished its Community Redevelopment Agencies.

Santa Monica Civic, a working group strategizing the venue’s future, told the LA Times that it will take several months to develop a new plan for the landmarked structure, including film screenings, live theater, or even restaurants.

Arquitectonica Adds a Pair of Towers to San Francisco’s Growing Rincon Hill Neighborhood

West
Friday, June 28, 2013
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LUMINA - 201 Folsom Street in San Francisco. (Courtesy Tishman Speyer)

LUMINA – 201 Folsom Street in San Francisco. (Courtesy Tishman Speyer)

In 2005, San Francisco officials rezoned Rincon Hill, a neighborhood close to the Financial District, to allow for high-density housing. Since then, residential developments have popped up, including The Infinity, One Rincon Hill, and the under construction 45 Lansing Street, in an area that was once a maritime and industrial hub.

The newest, Tishman Speyer and China Vanke’s LUMINA, at 201 Folsom Street, broke ground this Wednesday. The Arquitectonica-designed development will add 655 condos to the Rincon Hill neighborhood, with views of the city and bay. The residence—two towers (the tallest at 42 stories) and two mid-rise buildings arranged along a courtyard—will have luxury amenities like floor-to-celing windows, a full service sky terrace, and a three-story clubhouse with a pool. Expected completion for the project is spring 2015.

Q+A> Is Los Angeles’ Arts District As Hot As We Think?

Newsletter, West
Thursday, April 11, 2013
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Shimoda Design's rendering of Alameda Square (Shimoda Design)

Shimoda Design’s rendering of Alameda Square (Shimoda Design Group)

Last week, AN reported on the development of Alameda Square in Los Angeles, the 1.5-million-square-foot mixed use project being designed at the old American Apparel factory site on the southwest edge of LA’s Arts District. Movement on projects like this beg the question: Just how hot is LA’s Arts District? AN‘s West Coast Editor Sam Lubell sat down for a short chat with James Sattler, a Vice President of Acquisitions at JP Morgan Asset Management, to find out.

Read the interview after the jump.

Giant Solar Array at Occidental College Wows Los Angeles

West
Wednesday, April 10, 2013
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Oxy Solar Array (Sam Lubell/ AN)

Oxy Solar Array. (Sam Lubell/ AN)

At a DeLab (Design East of La Brea) Tour this Saturday, Los Angeles-based firm Lettuce Office shared the epic story of its new solar array for LA’s Occidental College. The 1 megawatt installation, made up of 4,886-panels, follows the contours of its hilly site, with its angled panels raised just two or three feet off the ground. To guard against sliding, each set of panels had to be imbedded into the earth via concrete-supported columns.

Continue reading after the jump.

Pelli Clarke Pelli’s Transbay Center Glass Facade Could Become Perforated Metal

West
Thursday, March 21, 2013
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transbay_facade_01btransbay_facade_01a

 

The perforated aluminum skin would replace the previously proposed glass facade. (Courtesy TJPA)

It looks like Pelli Clarke Pelli’s Transbay Transit Center, which stretches about three blocks through the city’s Rincon Hill neighborhood, might go ahead with its first major piece of value engineering. According to the San Francisco Chronicle, the architects have suggested that the building’s undulating glass skin become perforated aluminum. The move would meet federal safety guidelines and chop $17 million from the estimated $1.59 billion budget for the center’s first phase. The Transbay Joint Powers Authority (TJPA) board will be  asked to approve the change at its March 25 meeting. The structure is not expected to be complete before 2017.

Continue reading after the jump.

Architect’s Plan Would Add A Bike and Pedestrian Tube to San Diego’s Coronado Bay Bridge

West
Wednesday, March 6, 2013
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Rendering of the proposed bike and pedestrian tube on the Coronado Bay Bridge. (Courtesy Domus Studio)

Rendering of the proposed bike and pedestrian tube on the Coronado Bay Bridge. (Courtesy Domus Studio)

From the top of San Diego’s soaring 200-foot-tall Coronado Bay Bridge, architect Lew Dominy says you can see Mexico, but outside of special events when the bridge is closed to automobile traffic, pedestrians and bicyclists who might stop to admire the view are prohibited. Dominy, principal at San Diego-based domusstudio architecture, has a plan to build a tube through the distinctive archways of the Coronado’s support piers that would bring multi-modal access to the bridge.

Read More

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