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Undulating birch walls create pockets of privacy in an apartment building lobby.
When Boston design and fabrication firm Radlab began work on Clefs Moiré, the permanent installation in the lobby of One North of Boston in Chelsea, Massachusetts, they had relatively little to go on. They knew that the apartment building’s developer wanted a pair of walls of a certain size to activate the lobby space, but that was about it. “Normally we get more information, so we can come up with a story—a concept based on the building and its requirement,” said Radlab’s Matt Trimble. “For this we pulled back and said, we have an opportunity to be a little more abstract about how we approach this conceptually.” Inspired by moiré patterning and a harpsichord composition by J.S. Bach, the team designed and built two slatted birch walls whose undulating surfaces embody a dialog between transparency and opacity.
Archtober Building of the Day #21
Runner & Stone
285 Third Avenue
Karla Rothstein and her partner Sal Perry are Latent Productions. They, along with Baker Peter Endriss served up a very nice helping of both delicious snacks and spiffy new architecture on yesterday’s Archtober tour. With a full tour of enthusiasts and architects, Karla and Sal described their self-initiated process of design, development, and construction management. They first prototyped, then fabricated the puffy custom concrete blocks that evoke the sacks of flour waiting to become bread that are the design hallmark of the restaurant, Runner & Stone, in Brooklyn.
Archtober Building of the Day #20
Donald Judd Home and Studio
101 Spring Street
Architecture Research Office; Walter B. Melvin Architects
The Soho of the 1970s has come and gone, grungy artists’ studios replaced by glitzy storefronts and luxury condos. However, two decades after artist Donald Judd passed away in 1994, his presence still permeates 101 Spring Street. It’s in the nooks he carved out for his children and his books, his kitchenware and furniture, and, most of all, his art.
Archtober Building of the Day #15
Red Bull Studios
220 West 18th Street
Jeffrey Inaba didn’t have wings, but guided a big group of Archtober enthusiasts and pick up party goers on a tour of Red Bull Studios in Chelsea. Introduced by Lance Jay Brown, 2014 AIANY President, the former Angelino, via OMA, presented a slick 38,000 square foot music studio/gallery/corporate office that spans all trends. With a psychedelic installation curated by Phong Bui and Rail Curatorial Projects, the public spaces, cleverly planned with acoustics and crowd control in mind, sang out with raucous voices of overstimulation—not INABA’s work. The planning, though, underlying the funk and festivity was rock solid, creating a diversity of public space, engaging from the street, clear divisions of public and private, and fantastic core toilets.
While architecture and design firms across the country and around the world gear up to register (the deadline is November 3) for The Architect’s Newspaper‘s 2015 Best Of Design Awards, we’d like to take the opportunity to introduce this year’s jury. As with last year, we invited a group of prominent design professionals whose expertise covers the nine categories in which we are giving awards. Collectively, they will lend their broad experience and individual perspectives to what is certain to be the very difficult task of choosing the best of many sterling projects.
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Louisville installation elicits fabric-like behavior from wood.
PART Studio designed and built their plywood Peek-a-boo Curtain in just four days, after a last-minute invitation from Louisville arts and business networking organization I.D.E.A.S. 40203. “We went to a meeting, talked about it, then drove to the plywood store,” recalled principal Nathan Smith. Luckily, the architects were not starting from scratch. Rather, Smith and partner Mark Foxworth seized the opportunity to build a full-scale mock-up of an idea they had been tossing around for some time: a curtain that, though built of wood, would behave like fabric. Staged at FirstBuild, a design and fabrication studio run through a partnership between GE Appliances and Local Motors, the exhibition also gave the designers a chance to explore the space between art and commerce. “With our piece we were looking not only to span the specific interests of the groups involved, but also to consider the relationships between product design, art, and architectural design,” said Smith. Read More
Archtober Building of the Day #3
The New School University Center
65 5th Avenue, New York, NY
Skidmore, Owings & Merrill
Designed by Skidmore, Owings & Merrill (SOM), the five-story academic building topped with student housing on the southeast corner of Fifth Avenue and 14th Street aggressively embraces its urban setting wearing a vivid zig zag expression of vertical circulation on its sleeve. The AIA New York Chapter held the most recent FitCity conference in its 800-seat auditorium last May. The site was selected for this annual event that brings public health and design professionals together, partly because stairs are the defining element of the structure.
The historic Wardman Tower in Washington D.C. is getting an interior update courtesy of Deborah Berke. The New York–based architect has been tapped by JBG Companies to update all of the building’s interior spaces and its 32 private residences. According to JBG Companies, the renovation “will pay tribute to the opulence of mid-century Paris while adding an open and contemporary feel to the spaces.” If it wasn’t obvious, that’s code for: Expensive. As in, these condos will be very expensive—priced between $2 million and $8 million. According to the Washington Post, that could make the Wardman condos “the most expensive units ever to hit Washington.”
Moveable partitions give structure to open floor plans and adapt to shifting spatial needs. Defining diverse areas large and small, public and private, they have long been utilized in office settings, and are gaining popularity in residential loft developments. Fitted with clear or translucent panels of glass or resin, the walls transmit rather than block natural light.