Denver’s Union Station Elevates Rail Travel in Colorado

(Courtesy Skidmore, Owings & Merrill)

(Courtesy Skidmore, Owings & Merrill)

Denver’s Union Station, a multi-modal transit hub built by architecture firm Skidmore, Owings & Merrill, opened up last month. The ribbon cutting ceremony severed the notion that transportation hubs are drab, gray places that smell suspiciously of food products and cleaning chemicals. What does the Union Station Bus Concourse do differently? Everything, apparently. Its sweeping design acts as a converging point for local commuters, airport bound travelers, and out-of-city destinations.

COntinue reading after the jump.

Ball-Nogues Rethinks the Corner with a Silvery Halo in West Hollywood

Art, Design, Newsletter, West
Tuesday, June 10, 2014
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Corner Glory (Ball-Nogues)

Corner Glory at The Dylan.  (Ball-Nogues)

A prominent corner in West Hollywood now wears an architectural halo. Tasked with designing a permanent installation for The Dylan, a new apartment building at Santa Monica Boulevard and La Brea Avenue, Ball-Nogues Studio decided to create “something that would serve as a kind of gateway to West Hollywood,” according to Benjamin Ball. “Because we were going to work on this corner, we didn’t have very much real estate. We decided to think about the corner as though it was emanating a kind of supernatural force, something suggestive of some kind of metaphysical presence emanating from this banal corner of the building. Sort of like a glory that surrounds a relic’s figure in religious iconography, without the religious icon.”

COntinue reading after the jump.

Sands of Time: How an Architect Commemorates D-Day’s 70-Year Anniversary

(Courtesy donaldweber.com)

(Courtesy Circuit Gallery)

Donald Weber is a former architect turned visual media artist. His latest project, War Sand, is a series of microscopic photographs that depict pieces of shrapnel embedded in individual grains of sand along the beaches of Normandy. Each photograph—which takes over eight hours for Weber to produce—is a testimony to one of the most famous days in history, as well as to the relationship between art and science.

COntinue reading after the jump.

Put It Back: A Call to Rebuild Mackintosh’s Glasgow School of Art

(Ross Cowan / Flickr)

(Ross Cowan / Flickr)

[Editor's Note: Following a devastating fire at the Glasgow School of Art on Friday, May 23, the university has launched a fundraising campaign to assist with restoration and rebuilding efforts. To support the fund, donate online here. Work has been ongoing to assess the damage and salvage what remains. This article originally appeared on Witold Rybczynski's blog, On Culture and Architecture. It appears here with permission of the author. ]

The tragic fire at the Glasgow School of Art, Charles Rennie Mackintosh’s masterpiece, raises anew the question: How to rebuild? In a thoughtful blog, George Cairns of Melbourne’s RMIT, who has studied the building in detail, points out that many undocumented changes were made during the building’s construction, so it will be impossible to recreate what was there. In addition, the inevitable demands of modern fire security will likely alter the original design. Rather than try to rebuild Mackintosh’s design, Cairns argues for “great architects to be invited to design a worthy intervention that will breathe new life into the school.”

Continue reading after the jump.

On View> Palaces for the People: Guastavino and the Art of Structural Tile

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Della Robbia Room Bar, Vanderbilt Hotel, 1912

Palaces for the People: Guastavino and the Art of Structural Tile
Museum of the City of New York
1220 5th Avenue, New York
Through September 7th

Coming to New York City from Washington, D.C., this exhibition illuminates the legacy of architect and builder Rafael Guastavino. A Catalan immigrant, Guastavino created the iconic (and aptly named) Guastavino tile. By interlocking terracotta tiles and layers of mortar to build his arches, Guastavino married old-world aesthetics with modern innovation. The resulting intersection of technology and design revolutionized New York City’s landscape, and is used in over 200 historic buildings including Grand Central Terminal, Carnegie Hall, The Bronx Zoo’s Elephant House, and Ellis Island.

View a slideshow of Guastavino vaults after the jump.

The Menil’s Modulated Light: Museum’s Design Creates a Light Choreography Through Space

Light Modulation starts outside the building (MDI/ Johnston Marklee)

Light Modulation starts outside the building (MDI/ Johnston Marklee)

The architecture of Johnston Marklee’s recently-unveiled Menil Drawing Institute has wowed most observers and critics, including our own. But an equally significant element of the $40 million project is its lighting, a combination of innovation and subtlety, natural and artificial light.

Continue reading after the jump.

Artist Paul Tuller Gives Starchitects the Royal Treatment with “Architecture As Crown” Series

(Courtesy Paul Tuller)

(Courtesy Paul Tuller)

Brooklyn-based illustrator Paul Tuller was inspired to create a new poster-portrait series, Architecture As Crown, by his architect boyfriend. This series features illustrations of famous architect’s wearing their most famous works on their heads. Beginning as a parody of Andy Warhol‘s God Save the Queen, the project includes such figures as Peter Eisenman wearing House I as a crown. Purchase your own posters here.

View the starchitects in hats after the jump.

Blue Plate Special: Bjarke Ingles Reinterprets Walter Gropius With “Big Cities” Dinnerware

(Courtesy BIG + KILO / Rosenthal)

(Courtesy BIG + KILO / Rosenthal)

In 1969, Walter Gropius designed a collection of china for Rosenthal. Named after his atelier in Cambridge, The Architects Collaborative, TAC’s elegant and curious forms are pristine in white porcelain. Embellishing Gropius’ design would naturally be heresy to some purists. To others, it would reflect his belief in the collaborative process. In their update of the tableware, called TAC Big Cities, architect Bjarke Ingels of BIG and Danish industrial design studio Kilo teamed up to create an urban motif for the collection.

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OMA Moving Ahead on Major Mixed-Use Project in Santa Monica After All

oma_santa_monica_11

The Plaza at Santa Monica (OMA)

After being sent back to the drawing board last fall, OMA’s mixed use Plaza at Santa Monica appears to be moving ahead once again. Located on a prime piece of Santa Monica–owned real estate on Arizona Avenue between 4th and 5th streets, the development—part of a glut of new mixed-use projects in the city—will be OMA’s first ever large scale project in Southern California. They are partnering with local firm Van Tilberg, Banvard & Soderbergh (VTBS).

Continue reading after the jump.

Port Authority Makes it Rain on Man from Spain: Calatrava Paid for Uncommissioned Work

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The new Goethals Bridge, not designed by Santiago Calatrava. (Courtesy Port Authority)

According to a report in the Bergen Record, the Port Authority of New York & New Jersey gave Santiago Calatrava, the renowned Spanish architect whose lust for gold is as vigorous as that of his conquistador forebears, $500,000 for two bridge designs that will not be built and to which Calatrava will retain the copyrights. Sound shady? Anyone who has had the opportunity to use the Port Authority Bus Terminal will not be surprised to find out that it is.

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Shields back on Milwaukee Art Museum overhaul, new designs unveiled

01-milwaukee-art-museum02-milwaukee-art-museum

 

The Milwaukee Art Museum revamp’s previous design and current iteration. (Courtesy HGA Architects & Engineers)

The Milwaukee Art Museum’s long-planned expansion and renovation has become somewhat of a saga.

Plans for a new addition with an entrance along Lake Michigan were announced in 2012, but hit a snag when HGA Architects and Engineers’ Jim Shields walked off the job in February. In April Urban Milwaukee first broke news that Shields, somewhat of a local design celebrity, had left the project amid quibbling over the design. Read More

Small Projects Awards honor big things in small packages

Woodland Dune Home (Steve Hall, Hedrich Blessing)

Woodland Dune Home (Steve Hall, Hedrich Blessing)

Big projects command the most media attention, but small works of art and architecture can still make a splash. That’s the ethos of AIA Chicago’s fourth annual Small Projects Awards, which last week named 13 honorees among 96 entries that included Chinatown’s new boathouse, a barn-like complement to Mies van der Rohe’s Farnsworth house, and an un-built “Safe House” for tornado-ravaged Joplin, Missouri. Read More

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