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Slate-clad addition to the American Swedish Institute evokes contemporary Scandinavian design.
Minneapolis-based architecture, engineering, and planning firm HGA faced a tall order when the American Swedish Institute asked them to design an addition to the building known locally as “The Castle.” The turreted Turnblad Mansion, constructed in Minneapolis’ Phillips West neighborhood in 1908 and home of ASI since 1929, lacked the kinds of multi-purpose spaces required by ASI’s cultural and educational programming—and was suffering wear and tear from a steady stream of visitors. “The project was about creating a front door that was more welcoming and inviting than the existing building, that can help protect the mansion and allow it to be used as a house museum,” said project architect Andy Weyenberg. At the same time, “the mansion remained the focal point,” he explained. “It will always be the identity of ASI. Everything we did, we wanted to respect the mansion and keep it as a centerpiece.” HGA’s intervention honors the primacy of the Turnblad Mansion while updating ASI’s image with a contemporary facade inspired by Swedish building methods and materials.
As construction crews continue to pull the Chicago Riverwalk farther into the city’s iconic waterway, Sasaki Associates has released a short documentary about the $100 million transformation. And it’s worth a watch because what’s happening in Chicago is more than your typical “reclaiming public space” type of story.
Indianapolis has been busy remaking its downtown, embarking on several developments and planning projects that city officials hope bode well for the city’s future growth. The editors at Indianapolis Monthly rounded them up this week, picking out “five projects improving Indy right now.”
Frank Lloyd Wright, who founded the Taliesin Fellowship in 1932, can’t be pleased about the latest news from the school. Architectural Record reported that in 2017 the Taliesin School of Architecture—which currently offers Masters of Architecture degrees at its campuses in Scottsdale, Arizona and Spring Green, Wisconsin—will lose its NAAB accreditation.
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Folded aluminum panels deliver the illusion of movement to passersby.
During their recent expansion, Eskenazi Hospital in Indianapolis approached Urbana Studio with an unusual request. The hospital wanted the Los Angeles-based art and architecture firm to design an interactive facade for a recently completed parking structure. “With Indianapolis’ really extreme weather patterns, we gave a lot of thought to: how can we make something that’s interactive but won’t be broken in a year?” said Urbana principal Rob Ley. “Unfortunately, the history of kinetic facades teaches us that that they can become a maintenance nightmare.” Urbana’s solution was to turn the relationship between movement and the object on its head. Though the aluminum facade, titled May September, is itself static, it appears to morph and change color as the viewer walks or drives by.
In a few short years, the term placemaking has migrated from wonky urban planning circles to neighborhoods across the country—that communities come together around public space is no groundbreaking observation, but when successful the idea can be revolutionary on a local scale.
So hopes Chicago’s Metropolitan Planning Council, who this weekend will sponsor “Old Place New Tricks,” a bid to “activate” neighborhoods from Englewood to Ravenswood with public space interventions that range from a “healthy eating happy hour” to “Selfie Sunday.”
Last week AN plugged an event that aimed to turn downtown Cleveland into a festival of lights. Sure enough, colorful projections flooded the walls of downtown cultural institutions while a massive rainbow arched over the city and iridescent discs of rainbow light saw curious Clevelanders clambering about.
Detroit’s Michigan Theatre remains iconic, but not for the reasons that made it so during its early 20th century heyday. Now the opulent 1926 concert hall holds parked cars instead of theater-goers. Will it remain a symbol of Detroit’s struggle to recover from long-term disinvestment, or could it become emblematic of the city’s resilience?