It appears our friends at engineering firm Buro Happold, which just moved their offices to Downtown Los Angeles, are experiencing some of their own moves. Chief engineers Greg Otto and Sanjeev Tankha have taken their talents to Walter P. Moore, a Santa Monica firm hoping to expand their design expertise and research capabilities. In other moving news, after ten years wHY Designâ€™s founding partner Yo Hakamori has left the firm for DesignARC. And over in New York our friend Dung Ngo has announced heâ€™s leaving Rizzoli. No word why at this point, but according to Ngo theÂ parties are leaving â€œon the very best of terms.â€ If only all breakups were as amicable.
Speaking of controversy, Zaha Hadid canâ€™t catch a break! Since her stadium design for the 2020 Tokyo Olympics was unveiled, complaints have arisen about the scale and height of the project. Then two of Japanâ€™s biggest architectsâ€”Toyo Ito and Fumihiko Makiâ€”signed on to a petition calling for a revised design. As of press time more than 26,500 people have signed on to protest the design. Is someoneâ€™s star beginning to dim?
Speaking of directors stepping down, it appears the unspoken rumor that weâ€™ve been forbidden to share for so long is now all-but official. Eric Owen Moss is indeed stepping down as the head of SCI-Arc, and a committee is in session to choose his replacement. This being SCI-Arc, everyone has an opinion about who should step in; but we wonâ€™t share anything else until we find a ripe, unsubstantiated piece of gossip telling us who it might be.
Weâ€™ve known for some time now that ex MOCA director Richard Koshalek has returned to Los Angeles from D.C., where he recently stepped down as director of the Hirshhorn Museum. Now we know one of his exploits: We hear that he is consulting Frank Gehry on the organization of his vast archives. Maybe this means there will someday be a Gehry museum? Certainly the architect is not getting any younger, so we may hear more soon.
Major museums are really expensive these days, and boy do we like to complain about it (actually we get into most museums for free with a press pass, but we still love to complain about it)! Well gather â€˜round dear readers, because weâ€™ve got a bit of nice news for once. The new Renzo Pianoâ€“designedÂ Whitney Museum is offering free admission for a year to all the men and women who are building their new Meatpacking location. Itâ€™s a nice counter to all the bad news about labor conditions at major cultural and educational institutions in the Middle East (weâ€™re looking at you, NYU).
Peeping Toms, bust out the kazoos. Your field day has arrivedâ€”and it comes equipped with party favors. The Shard, designed by Italian architect Renzo Piano, is Londonâ€™s tallest skyscraper and, as of last week, home to a new luxury hotel. The rooms include breathtaking views of the cityâ€”and, thanks to a design flaw, unscrupulous views of unsuspecting neighbors.
Glass panels on the Shardâ€™s exterior bestow the building with a crystalline front and its namesake. But at night, the cityâ€™s lights turn the glass into mirrors that fully reflect guest bedrooms into each other. Complementary binoculars (â€œfor the view,â€ ahem) donâ€™t help matters. Nor do puns about the naked eye. Masking a blush? Rest easyâ€”susceptible rooms include shades for extra privacy.
Just last month Eaves dropped in on the Chicago Design Museum for the launch of itsÂ Kickstarter campaign, which sought funding for the institutionâ€™s first summer exhibition in a new permanent space. Well, that space has been revealed, and itâ€™s every Chicagoanâ€™s favorite downtown boondoggle. No, not the Spire. Or the Post Office. Never mindâ€”itâ€™s Block Thirty Seven! Thatâ€™s right, it turns out the largely vacant downtown mall has 5,000 square feet free for ChiDM (and probably a lot more). A good chance to remind yourself that the buildingâ€™s still there, looming above the Red Line-Blue Line transfer.
Gallup pollsters recently asked Americans if they had the opportunity to move, â€œwould you like to move to another state, or would you rather remain in your current state?â€ Well, Illinois and Connecticut earned the dubious distinction of having the nationâ€™s most restless residents. About half of the surveyed residents in Illinois wanted to bounce, but donâ€™t expect an influx of moving boxes. Weâ€™ll probably just ride it out and complain. Case in point: another Gallup poll found 25 percent of Illinoisans surveyed said their state is â€œthe worst possible place to live inâ€â€”second only in self-loathing to Rhode Island.
Architecture critic and one-time eavesdropper Philip Nobel has a fancy new title: Editorial Director for SHoP Architects. Though he has long been known for throwing critical barbs, Nobel has always been cozy with the firm, having contributed an introduction to their monograph, Out of Practice, and a written glowing profile of Vishaan Chakrabarti for Metropolis (the piece had the oh-so subtle title, â€œVishaansanityâ€). You might say it was a very long audition that clearly paid off in the end.
Itâ€™s hard enough for west coast firms to make it into architecture publications, but Clive Wilkinson has made it into the vaunted pages of the New Yorker. In the â€œTalk of the Town,â€ writer Nick Paumgarten describes Wilkinsonâ€™s thousand-foot-long, resin-topped â€œsuperdesk,â€ which he designed for New York ad agency Barbarian Group in Chelsea, as â€œswerving around the giant loft space like aÂ mega slot-car track.â€ Barbarian calls the desk â€œ4,400 square feet of undulating, unbroken awesomeness to keep people and ideas flowing.â€ In fact the desk even played a major role in a recent company party, and Paumgarten wondered ifÂ the desk itself might be taking on human characteristics: â€œOne got a sense, after a while, that the superdesk might be capable of consciousness, that it was observing the humans as they heedlessly laughed and flirted and left glasses of wine on its carapace, and that it might be developing longings and resentments, or plotting its revenge.â€
Since architect Chris Genik left Daly Genik (now called Kevin Daly Architects)Â and became dean at the NewSchool of Architecture and Design in San Diego in 2010, we have lost touch with him. Heâ€™s no longer the dean, and we havenâ€™t heard a peep about what heâ€™s up to. If you know of his whereabouts please contact eavesdrop immediately. And speaking of Chrises, we hear that our friend Christopher Mount, who curated MOCAâ€™s New Sculpturalism exhibition before things with Jeffrey Deitch went haywire, is opening up a gallery inside the Pacific Design Center dedicated to architectural prints and related art.