Austria comes to Los Angeles with a lecture series dubbed â€œViennese Week in LA.â€ The talks will take place at SCI-Arc as part of the Wolf D. Prix/COOP HIMMELB(L)AU design studio. Prix himself is the headliner, with a lecture on Raimund AbrahamÂ happening on March 5 at 7:00p.m. In â€œVisions in Exile or: Before we were so rudely interrupted,â€ Prix will talk about his mentor and friendâ€™s influence on the early works of COOP HIMMELB(L)AU. He will also probe the digitization of architecture practice, asking how architects like Abraham would have designed using the tools available today.
The Las Vegas skyline just got a lot taller. The 550-foot High Roller, set to open this spring, is the worldâ€™s highest observation wheel, towering above both the London Eye (443 feet) and the Singapore Flyer (541 feet). A project of Caesars Entertainment, the High Roller is the anchor of the new shopping and nightlife complex known as The LINQ. â€œAs we settled on the idea of a giant wheel, we just began brainstorming: well, what does that really mean?â€ said Phil Hettema, whose Hettema Group designed the structure. â€œWe looked at the London Eye and the Singapore Flyer and tried to understand those. We really talked about what we liked about those, and also about what we wanted to do differently.â€ Read More
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An abstracted version of a street tree, a canopy of tessellated irregular polygons balances atop slim steel posts.
When Public: Architecture + Communication visited the site of the transit shelters the University of British Columbia had asked them to design, they found that something was missing. The main point of entry to the campus, University Boulevard is lined with treesâ€”except where the bus shelters would go. â€œThere was this language of gaps that we noticed,â€ said Publicâ€™s Christopher Sklar. The shelters themselves, they decided, should fill in the tree line. The designers were left with a question, articulated by Sklar: â€œHow does it be a quiet piece but also something interesting and unusual that relates to its surroundings?â€
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The glass, stone, and metal exterior of the Hatfield-Dowlin Complex evokes the strength and agility of a college athlete.
The superhero and the Samurai. Thatâ€™s where Zimmer Gunsul Frasca Architects (ZGF) began their design of the Hatfield-Dowlin Complex at the University of Oregon. The football player, the architects imagined, is like Batman: stealthy and strong, he came to his powers not by supernatural accident, but through relentless training. At the same time, the athlete is a highly skilled warrior, the modern-day equivalent of Japanese military nobility. The facade of the new football training facility materializes these ideas in glass, stone, and metal. Dominated by horizontal expanses of tinted glass, it is powerful but not foreboding. ZGF offers the analogy to a suit of armor: the buildingâ€™s skin balances protection and connection, solidity and agility.
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Smith|Allen’s 3D-printedÂ forest refuge is inspired by the site’s patterning and historical cycle of deforestation and regeneration.
When Brian Allen and Stephanie Smith first visited the sequoia forest in Gualala, California, they saw patterns everywhere. â€œWe were really intrigued by patterning at many scales, from bark on the trees to light through the trees and also, at a micro scale, [the cells of] the sequioas,â€ said Allen. Two months later the pair was back, this time with 580 sculptural bricks forming the worldâ€™s first 3D-printed architectural installation. Translucent white and 10 by 10 by 8 feet in size, Echoviren resembles a cross between a teepee and a tree stump, a mass made light by the organic porosity of the bricks.
Echoviren is intimately tied to its site on the grounds of Project 387, the residency in which Smith|Allen participated last fall. Besides the sequioasâ€™ patterning, the designers drew inspiration from the primitiveness of their surroundings. â€œThe overall form was driven by what is the most basic space we could make,â€ said Allen. â€œIt turns [out to be] just a small oblong enclosure with an oculus, a small forest hermitage.â€ The oculus draws the eye up, to the natural roof formed by the sequioasâ€™ branches. In addition, Smith|Allen address the history of the site as a place where regrowth followed the trauma of deforestation. Built of bio-plastic, Echoviren has an estimated lifespan of 30-50 years. â€œThe 50 year decomposition is a beautiful echo of that cycleâ€ of deforestation and resurgence, said Allen.
This March, Angelenos will get front-row seats to the nationâ€™s largest art, architecture, and urbanismâ€“oriented film festival. Founded in 2009 in New York, the Architecture & Design Film Festival (ADFF) is coming to the West Coast for the first time March 12â€“16. The ADFFâ€™s program includes 30 feature-length and short films, plus panel discussions, Q&A sessions with directors and subjects, special receptions, and a Hennessey + Ingalls pop-up bookshop.
â€œDingbatâ€ is a word with many meanings. Itâ€™s a synonym for nitwit. In typography, itâ€™s a symbol used in place of a letter. And in Los Angeles, itâ€™s a particular type of multi-family housing, dominant in the 1950s and 1960s and alternately maligned and embraced over the decades.
Dingbat 2.0, an upcoming publication from the Los Angeles Forum for Architecture and Urban Design (LA Forum), explores the history and future of dingbat apartments. The subject of a current Kickstarter campaign, Dingbat 2.0 brings together essays on the origins of the Los Angeles dingbat with highlights from the LA Forumâ€™s 2010 Dingbat 2.0 competition, in which participants were asked to reconfigure the dingbat for todayâ€™s urban reality.
After almost eight decades of constant use, Taliesin West is ready for a makeover. The Scottsdale, Arizona site was Frank Lloyd Wrightâ€™s winter home, studio, and architecture school. Today, the campus houses the Frank Lloyd Wright School of ArchitectureÂ and isÂ also a popular tourist destination, with over 100,000 visitors annually. Now, time, climate, and footsteps have taken their toll on the landmark.
The NewSchool of Architecture & Design (NSAD) in San Diego has a new president. Gregory J. Marick is a career educator and former president of the Orange County and Hollywood divisions of the Art Institute of CaliforniaÂ (AIC).
â€œThis is an exciting time for NewSchool of Architecture & Design. We’re creating a dynamic, interdisciplinary environment that provides opportunities for students to specialize not only in architecture, but in other related design fields such as game programming and interior design,â€ Marick toldÂ AN.
Thanks to new EPA regulations, Silver Lake is saying goodbye to it reservoir. But resident Catherine Geanuracos hopes the community will soon be saying hello to something new: a body of water repurposed for recreation, complete with lap lanes, an open swim area, and a miniature beach.
â€œWe got very attracted to the project, and to the idea of making something that reconnects Los Angeles,â€ Zoltan Pali said of Taylor Yard Bridge, the pedestrian and bicycle bridge designed by his firm, Studio Pali Fekete architects (SPF:a). Originally introduced as part of a mitigations package twenty-two years ago, the bridge, which will span the Los Angeles River between Cypress Park and Elysian Valley, should be completed within two years at a cost of $5.3 million. Read More