For the 53rd Venice Art Biennial, Jorge Otero-Pailos, a professor of preservation at Columbia, made a cast of the pollution on a wall of the Doge’s Palace on the Palazzo San Marco. Trained as a conservationist, he painted liquid latex directly onto the wall and then carefully removed the cast in one sheet. The result, The Ethics of Dust, Doge’s Palace, Venice, 2009, seen in this video, is a luminous scrim that preserves the residue accrued overtime.
Such pollution is typically seen negatively, but Otero-Pailos sees it as a record of human activity and questions the impulse to erase these traces of the past.
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